The Cranes are Flying
Kinofiles Film Companion 7
Bibliographic Data
| ID | 23545793 |
|---|---|
| Authors | Josephine Woll |
| Year | 2003 |
| Publication date | 2003-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | The Cranes are Flying (SOURCE_BOOK) |
| Publisher | I.B.Tauris (PUBLISHER) |
| DOI | 10.5040/9780755699179 |
| OpenAlex | W2990223870 |
| ISBN | 9780755699179 |
| Language | EN |
| Citations received | 1 |
Arguably the first masterpiece of post-Stalinist cinema, "The Cranes are Flying" is an intersection of politics and art. A product of Khruschev's "Thaw", its sympathetic portrayal of human beings affected by World War II, and its highly individual style won awards worldwide. Josephine Woll examines questions of theme and genre, the controversial representation of heroism and the audience reaction to these issues, as well as production, content, style and context.
Advertising · Aesthetics · Archaeology · Art · Art history · Business · Cartography · Context (archaeology) · Geography · Intersection (aeronautics) · Literature · Movie theater · Political science · Politics · Product (mathematics) · Representation (politics) · Sociology · Style (visual arts) · Theme (computing) · Visual arts · Cinema and Media Studies · Computer Science · Eastern European Communism and Reforms · History · Italian Fascism and Post-war Society · Law
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |