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The Morphology of Space in Virtual Heritage

Bibliographic Data

ID23587773
AuthorsBernadette Flynn, Bernadette Mary Flynn (corresponding author)
Year2007
Pages348-368
Publication date2007-03-16
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueTheorizing Digital Cultural Heritage (SOURCE_BOOK)
PublisherThe MIT Press (PUBLISHER • US)
DOI10.7551/mitpress/9780262033534.003.0018
OpenAlexW273394959
ISBN9780262033534
LanguageEN
Citations received10
References cited7

This chapter examines the morphology of space in virtual heritage and looks at one of the major disappointments in virtual heritage: That an algorithmically accurate large-scale three-dimensional model of a cathedral or castle is considered the hallmark of authenticity, and that reducing the monument or artifact to visual simulation disrupts its link to material evidence, and hence to history. When art is disconnected from ritual and magic, it loses its aura. Evoking the presence of the past relies on a different treatment of the space that generates cultural and social presence. The chapter shows that heritage is restored not only as a spatial representation onscreen, but also as a place for habitation—as a kinaesthetic sense of presence in the past. It also considers virtual heritage as individualized trajectories of memory and the movement of a body in virtual space.

Aesthetics · Archaeology · Art · Artifact (error) · Cultural heritage · MAGIC (telescope) · Political science · Representation (politics) · Space (punctuation) · Virtual space · Visual arts · 3D Surveying and Cultural Heritage · Artificial Intelligence · Computer Science · Digital Media and Philosophy · History · Visual Culture and Art Theory

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    Open Access•Kathryn Blair Moore•Studies in Digital Heritage•2021

  • Using 3D modelling and game engine technologies for interactive exploration of cultural heritage

    Open Access•Matthew Smith, Naomi Walford et al.•Digital Applications in…•2019

  • A sliver of the true fort’

    Karen Wall•Journal of Heritage Tourism•2011

  • Towards a vocabulary of limitations

    Jonathan Westin•International Journal of Heritage…•2012

  • Virtual humans in cultural heritage ICT applications

    Open Access•Octavian M Machidon, Octavian Machidon et al.•Journal of Cultural Heritage•2018

  • An emotions-informed approach for digital documentation of rural heritage landscapes

    Open Access•Jane-Héloïse Nancarrow, C Yang et al.•Built Heritage•2021

  • Geolocating popular memory

    Joshua Synenko•Popular Communication•2017

  • Virtual and didactic approach to the defensive heritage of the 16th century Fort of the Trinitat (Roses, Girona)

    Open Access•Francesc Xavier Hernández Cardona, Rafael Sospedra et al.•Virtual Archaeology Review•2022

  • D heritage visualisation and the negotiation of authenticity

    Ian Jones, Siân Jones et al.•International Journal of Heritage…•2018

  • Breaking the fourth wall

    Open Access•Peter Dawson, Peter C Dawson et al.•Journal of Social Archaeology•2011

  • Computers as theatre

    Brenda Laurel•Computers as theatre•1991

  • The Work of Art in the Age of Mechanical Reproduction

    Walter Benjamin•Stardom and Celebrity•2007

  • Economies of Signs and Space

    Scott Lash, John Urry•Economies of Signs and Space•2002

  • Atlas of emotion

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  • The Language of New Media

    Лев Манович, Lev Manovich•Canadian Journal of Communication•2002

  • Vertiginous Mediations

    Open Access•Andrew Murphie•Media International Australia•2004

  • Factual Hybridity

    Open Access•Bernadette Flynn, Bernadette Mary Flynn•Media International Australia•2002

Unique citing works10
Citations per year0,67
Citation span2011 - 2022 (12)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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