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Drumming and Power

Bibliographic Data

ID23588609
AuthorsHenry Spiller (corresponding author)
Year2013
Pages43-75
Publication date2013-03-29
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueErotic Triangles (SOURCE_BOOK)
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.7208/chicago/9780226769608.003.0002
OpenAlexW2485910557
ISBN9780226769608
LanguageEN

This chapter investigates the interaction between dancing and drumming. It argues that drum sounds have come to represent simultaneously and paradoxically both a cause and an effect of movement. The ambiguity about whether movement makes sounds or sounds animate dancers allows both explanations to be “true.” In large part because of this ambiguity, drumming emerges as a potent metaphor for power in Sundanese performance. Drumming, like Javanese power, is “an invisible presence,” with considerable influence on the actions of others. Since the control of invisible power is part and parcel of the creation and maintenance of gender identities, and because masculinity is measured by assessing how individuals accumulate, maintain, and display power, an awareness of how drumming models power is a key to understanding this element of erotic triangles in Sundanese dance.

Physics · Power (physics) · Diverse Music Education Insights

Citation velocityhistorical
Highly citedNo

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