Marketing the Nation
Carnival and tourism in Trinidad and Tobago
Bibliographic Data
| ID | 2360587 |
|---|---|
| Authors | Garth L Green (Davidson College, North Carolina, corresponding author) |
| Year | 2002 |
| Volume | 22 |
| Issue | 3 |
| Pages | 283-304 |
| Publication date | 2002-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critique of Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 0308-275X • E-ISSN: 1460-3721 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0308275x02022003759 |
| OpenAlex | W2077645427 |
| Language | EN |
| Citations received | 13 |
| References cited | 10 |
Public festivals provide not only the occasion to make statements about national identity but also offer opportunities to culture brokers seeking foreign exchange through tourism. Within the matrix of the international culture industries and the hegemonic international order of nation-states, culture is both a commodity and a source of national pride. In this article I examine efforts at `cultural entrepreneurship' regarding the Carnival in Trinidad and Tobago. Attempts to market the Carnival and, in a larger sense, Trinidad and Tobago, reveal profound ambiguities about cultural authenticity, ambivalence regarding international recognition, and contested ideas about national identity in a complex multi-ethnic, multicultural, postcolonial state. I criticize what I call `academic nostalgia', the propensity of academics, including anthropologists, to lament the supposed inauthenticity and commercialism that is said to accompany changes in Carnival. I show how this concern mirrors local critiques of Carnival, and how this preoccupation was itself a recurrent theme throughout the 20th century
Ambivalence · Commercialism · Hegemony · Lament · Media studies · Multiculturalism · National identity · Patriotism · Political economy · Political science · Politics · Pride · Sociology · State (computer science · Subversion · Tourism · Caribbean history, culture, and politics · Cuban History and Society · Gender Studies · Law · South Asian Cinema and Culture
Carnaval de São Vicente
The South African Nguni Female Body and Traditional Dress as a National Identity 'Exploit
Dual Sovereignty and the Commodification of Difference in Caribbean Tourism
“Come to Life”
Children's Dreamland
Integrating Community Ambivalence into Resident Sentiment Research
Tourism and Identity Transformation in the Oeam Folk Village in Asan, Korea
Fostering the social utility of events
Subsídios para a análise da festa
Transnational spirituality, invented ethnicity and performances of citizenship in Trinidad
Changing festival places
Heritage Tourism in the Caribbean
Anthropology and Festivals
The growth of the modern West Indies
Rastafari
Wake the Town and Tell the People
The Changing Attitude of the Coloured Middle Class Towards Carnival
The Traditional Masques of Carnival
Noises in the Blood
Black Intellectuals and the Dilemmas of Race and Class in Trinidad
Calypso Calaloo
Wake the Town and Tell the People
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,62 |
| Citation span | 2005 - 2026 (22) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 11 |