Vital Light in Isthmian 4
Bibliographic Data
| ID | 23636964 |
|---|---|
| Authors | Henry Spelman (0000-0002-8934-0671, corresponding author) |
| Year | 2018 |
| Pages | 45-62 |
| Publication date | 2018-05-10 |
| Open Access | No |
| Type | CHAPTER |
| Venue | Pindar and the Poetics of Permanence (SOURCE_BOOK) |
| Publisher | Oxford University PressOxford (PUBLISHER) |
| DOI | 10.1093/oso/9780198821274.003.0003 |
| OpenAlex | W2809071720 |
| ISBN | 9780198821274 |
| Language | EN |
Isthmian 4 is very interested in light imagery. This chapter offers an interpretation of this ode focused on the interplay between fire and celestial light in order to show how these images invite audiences to reflect on the paradoxical nature of this poem and indeed all of Pindaric epinician as simultaneously an utterance forming part of a transitory revel and an enduring artefact. Isthmian 4 highlights a paradox central to Pindaric epinician: the poem succeeds in its original setting by promising to transcend it. One understands this ode best by simultaneously assuming the perspectives of both initial and later audiences. Epinician performance is a concrete action that derives its distinctive value from its consequences ramifying into the future. We misconstrue the genre if we discount the consciousness of posterity which pervades the act or if we sever the link between the artefact and its origins in an unrepeatable moment.
Action (physics) · Aesthetics · Art · Consciousness · Epistemology · Interpretation (philosophy) · Linguistics · Literature · Ode · Physics · Poetry · Utterance · Value (mathematics) · Classical Antiquity Studies · History · Mathematics · Philosophy
| Highly cited | No |
|---|