Mr. Eliot's Wartime Services
Bibliographic Data
| ID | 23697154 |
|---|---|
| Authors | Vincent Sherry (corresponding author) |
| Year | 2004 |
| Pages | 155-225 |
| Publication date | 2004-06-17 |
| Open Access | No |
| Type | CHAPTER |
| Venue | Great War and the Language of Modernism (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780195178180.003.0004 |
| OpenAlex | W2483643686 |
| ISBN | 9780195178180 |
| Language | EN |
This chapter tracks Eliot's poetic development from his arrival in London in August 1914 until the publication of The Waste Land in 1922. The initial difficulties he experienced in composing poems are attributed to the oppressive hegemony of Liberal rationalist language in the capital, which Eliot records in letters and reviews. The poet breaks the blockage by writing verse exercises in French, indulging the sheer acoustic of the foreign language, and manipulating the sense-making gestures of French in creative play. This breakthrough initiative is developed in the pseudo-logical prosody of the major quatrain poems of 1917-1919, “Sweeney among the Nightingales”, “Burbank with a Baedeker: Bleistein with a Cigar”, and “A Cooking Egg”, while the monologue of “Gerontion” exercises the new poetics in a vivid evocation of its founding historical context. The draft manuscripts and revisions of The Waste Land are discussed in relation to the same poetic principles.
Archaeology · Art · Capital (architecture) · Context (archaeology) · Evocation · Gesture · Linguistics · Literature · Poetics · Poetry · Relation (database) · Visual arts · American and British Literature Analysis · Computer Science · History · Modernist Literature and Criticism · Philosophy · Poetry Analysis and Criticism
| Highly cited | No |
|---|