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Richard Lovelace and the End of Court Culture, 1647–1649

Bibliographic Data

ID23710473
AuthorsNicholas Mcdowell (0000-0001-8488-8665, corresponding author)
Year2008
Pages112-154
Publication date2008-11-06
Open AccessNo
TypeCHAPTER
VenuePoetry and allegiance in the English civil wars (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/acprof:oso/9780199278008.003.0004
OpenAlexW2500026139
ISBN9780199278008
LanguageEN

Richard Lovelace is the best-known ‘Cavalier’ poet. He was a relative and close friend of Thomas Stanley; he was friends with both John Hall and Marvell. This chapter offers a revisionist interpretation of several of his most acclaimed lyric poems, including ‘The Grasshopper’, by placing them in the context of royalist disillusionment in the aftermath of the king's defeat but also of the cultural activities of the Stanley circle. These readings of Lovelace's verse show how his post-war lyrics dwell on the collapse of Stuart court culture and patronage. Lovelace looks rather to a recreation of the sort of literary circle over which Ben Jonson presided in pre-war London for the preservation of literary values against what he perceives as Puritan philistinism.

Art · Art history · Knight · Literature · Lyrics · Performance art · Poetry · Spanish Civil War · Historical Art and Culture Studies · Historical Studies of British Isles · History · Scottish History and National Identity

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