Refashioning and Performing Identities in Global Hip-Hop
Bibliographic Data
| ID | 23723965 |
|---|---|
| Authors | Alastair Pennycook (0000-0002-4656-6187, corresponding author) |
| Year | 2009 |
| Pages | 326-340 |
| Publication date | 2009-01-01 |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | The New Sociolinguistics Reader (SOURCE_BOOK) |
| Publisher | Macmillan Education UK (PUBLISHER) |
| DOI | 10.1007/978-1-349-92299-4_23 |
| OpenAlex | W2280492754 |
| ISBN | 9781349922994 |
| Language | EN |
| Citations received | 5 |
| References cited | 26 |
Hop (telecommunications) · Telecommunications · Asian Culture and Media Studies · Computer Science · Multilingual Education and Policy · Music History and Culture
Routes
The black Atlantic
Spectacular Vernaculars
Global Englishes and Transcultural Flows
Imperial Eyes
Grassroots Globalization and the Research Imagination
Global noise
Modernity at large
Crossing
Gender Trouble
Hybrid Identities in Quebec Hip-Hop
Doin’ damage in my native language
Sound Tracks
Prophets of the Hood
Language and masculinity
The native speaker
Styling locally, styling globally
Global Englishes, Rip Slyme, and performativity
Styling the Other
Grassroots Globalization and the Research Imagination
Poetics and Performances as Critical Perspectives on Language and Social Life
World Englishes in 2000 and beyond
| Citations per year | 0.38 |
|---|---|
| Citation span | 2013 - 2024 (12) |
| Highly cited | No |