Art History
Bibliographic Data
| ID | 23730209 |
|---|---|
| Authors | Thomas Lamarre (McGill University, corresponding author) |
| Year | 2016 |
| Pages | 1-11 |
| Publication date | 2016-10-23 |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | The International Encyclopedia of Communication Theory and Philosophy (SOURCE_BOOK) |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/9781118766804.wbiect211 |
| OpenAlex | W4237644266 |
| ISBN | 9781118766804 |
| Language | EN |
| References cited | 8 |
As a discipline, art history combines two lines of inquiry, one concerning art, and one concerning history. From the standpoint of philosophy, these two lines of inquiry, however, do not generally receive equal consideration. Indeed, the discipline might be characterized in terms of an imbalance or unevenness between the two, which introduces an interval between art and history that has proven highly generative in producing a range of conceptual paradigms for the discipline. Through such paradigms, art history strives to contest and move beyond the normative disciplinary biases it produces.
Art · CONTEST · Discipline · Epistemology · Generative grammar · History of art · Normative · Social science · Sociology · Visual arts · Artificial Intelligence · Computer Science · Historical and Literary Studies · Historical Art and Culture Studies · Philosophy · Visual Culture and Art Theory
| Highly cited | No |
|---|