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Tintin and the Interruptions of Congolese Comics

Bibliographic Data

ID23744239
AuthorsNancy Rose Hunt (0009-0008-5398-0483, corresponding author)
Year2002
Pages90-116
Publication date2002-10-28
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueImages and empires (SOURCE_BOOK)
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/california/9780520229488.003.0004
OpenAlexW2478282708
ISBN9780520229488
LanguageEN
Citations received17

This chapter examines the depiction of Congolese people in comics, focusing on Tintin au Congo by Georges Rémi. It suggests that Tintin au Congo is notorious for its depiction of animal slaughter and its caricatured representation of the black body and it racialized humor is elemental, largely arising from contradictory pairings and episodes of misrecognition. It also describes comic-based advertisements produced by Europeans for Congolese people and the icons and aesthetics of interwar Congo.

Art · Comics · Depiction · Ethnology · Literature · Political science · Politics · Power (physics) · Representation (politics) · Sociology · Visual arts · Comics and Graphic Narratives · Law · Travel Writing and Literature

  • The Lumumba Generation

    Open Access•Alex Skinner, Daniel Tödt•Lumumba Generation•2021

  • Political Discourse and Ideological Polarisation in the Narrative of the Tintin Comics

    Open Access•Abhay Shetty•International Journal of English…•2022

  • Hybridity, Reflexivity and Mapping

    Open Access•Sybille Lamme, Stephanie De Smale•Open Library of Humanities•2018

  • Identity and geopolitics in Hergé'sAdventures of Tintin

    Oliver Dunnett•Social & Cultural Geography•2009

  • From Camera to Canvas

    Gabriella Nugent•Nka Journal of Contemporary…•2020

  • Elsewhere in the Belgian Congo ca. 1953

    Isabelle de Rezende•Visual Anthropology•2013

  • Constructing East Asians in a European comic book series

    Open Access•Arezoo Adibeik•Chinese Semiotic Studies•2023

  • Visualizing the game

    Susann Baller, Giorgio Miescher et al.•Soccer and Society•2012

  • Football and the representation of history

    Susann Baller•Soccer and Society•2012

  • Métissage on the Airwaves

    Rebecca Scales•Media History•2013

  • Introduction

    Open Access•Patricia Hayes•Gender & History•2005

  • On translating Tintin au Congo in the twenty-first century

    Open Access•Terry J Bradford•Perspectives•2024

  • Reading comics for the field of International Relations

    Open Access•Lene Hansen•European Journal of International…•2016

  • Belonging in Auto|Biographical Comics

    Ofer Ashkenazi, Jakob Dittmar•a/b Auto/Biography Studies•2020

  • Ils sont fous, ces Gaulois ”

    Open Access•Lorenz M Lüthi•Journal of History•2020

  • Hooray! Hooray! the End of the World has been Postponed!’ Politics of Peace in the Adventures of Tintin

    Open Access•Felix Rösch•Politics•2014

  • Making the invisible visible

    Lydia Wysocki, Mark Jackson et al.•International Journal of Heritage…•2020

Unique citing works17
Citations per year0,81
Citation span2005 - 2024 (20)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 11

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