Ulysses , Film and Visual Culture
Bibliographic Data
| ID | 23764302 |
|---|---|
| Authors | Philip Sicker (Fordham University, corresponding author) |
| Year | 2018 |
| Publication date | 2018-09-13 |
| Open Access | No |
| Type | BOOK |
| Venue | Ulysses, Film and Visual Culture (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781108552776 |
| OpenAlex | W2787170607 |
| ISBN | 9781108552776 |
| Language | EN |
| References cited | 46 |
"Although Joyce was losing his sight when he wrote Ulysses, Stephen's and Bloom's visual experiences are extraordinarily rich and complex. Absorbing the influences of popular visual attractions such as dioramas, stereoscopes and mutoscopes, their perceptions of Dublin are shaped by what Walter Benjamin calls "unconscious optics."...
Aesthetics · Art · Art history · Epistemology · Futurist · Literature · Modernism (music) · Narrative · Painting · Perception · Psychoanalysis · Sight · Spectacle · Unconscious mind · Visual arts · Visual culture · Modernist Literature and Criticism · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Walter Benjamin Studies Compilation
The commodity culture of Victorian England
Visual and Other Pleasures
Suspensions of Perception
Real Cities
Cartesian Meditations
Psychoanalysis and Cinema
The Address of the Eye
After the Great Divide
Discipline and Punish
After the Great Divide
The Decline of the West
Wandering Rocks
Bentham's Prison
The Senses of Modernism
The Spectator and the City in Nineteenth-Century American Literature
Libidinal Currents
Bordering on the Body
"Structure and Motif in "Finnegans Wake
Husserl's Intersubjective Transformation of Transcendental Philosophy
Phenomenology of Perception
Teller and Tale in Joyce's Fiction
The Imaginary Signifier
The violence of rhetoric
| Citation velocity | historical |
|---|---|
| Highly cited | No |