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The Shakespearean Forest

Bibliographic Data

ID23764882
AuthorsAnne Barton (0000-0003-3316-2527, corresponding author)
Year2017
Publication date2017-08-17
Open AccessYes
TypeBOOK
VenueShakespearean Forest (SOURCE_BOOK)
PublisherCambridge University Press (PUBLISHER • US)
DOI10.1017/9781139015257
OpenAlexW2747037141
ISBN9781139015257
LanguageEN
Citations received3
References cited15

The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton's incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.

Art · Art history · Drama · Literature · Performance art · Political science · Power (physics) · Scholarship · Woodland · Ecology · Geographies of human-animal interactions · Historical Art and Culture Studies · History · Landscape and Cultural Studies · Law

  • Why should people interested in territory read Shakespeare

    Stuart Elden•Territory Politics Governance•2018

  • Writing with plants

    Open Access•Danielle Allor, Haylie Swenson•postmedieval a journal of…•2018

  • Fraternal Forms and Forest Figures

    Stephen Carter•boundary 2•2022

  • The Shakespearean Stage 1574–1642

    Open Access•Andrew Gurr•Shakespearean Stage, 1574-1642•2009

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    Marina Warner•Alone of all her sex•1983

  • The Fall of Public Man

    Open Access•Richard Sennett•Capital & Class•1987

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    G Greer•John Wilmot, Earl of Rochester•2000

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    David Head, David M Head•Sixteenth Century Journal•1982

  • John Leland's Itinerary

    Robert Boerth•Sixteenth Century Journal•1999

  • The Landscape of the Mind

    Richard Cody, Peter V Marinelli•Renaissance and Reformation•1969

  • Society and Culture in Early Modern France

    Natalie Zemon Davis, J Michael Hayden•Renaissance and Reformation•1969

  • The Testament of the Buck and the Sociology of the Text

    Edward Wilson•The Review of English Studies•1994

  • The birth and setting of the ballads of Robin Hood

    J R Maddicott•The English Historical Review•1978

  • Drunk with the cup of liberty’

    Open Access•Peter Stallybrass•Semiotica•1985

  • Robin Hood. A Mythic Biography

    Albrecht Classen, Stephen Knight•Lied und populäre Kultur / Song…•2003

  • Staged Properties in Early Modern English Drama

    M G Aune•Sixteenth Century Journal•2004

  • Crime and Public Order in England in the Later Middle Ages

    Thomas A Green, John Bellamy•American Journal of Legal History•1974

  • The Outlaws of Medieval Legend

    Francis Lee Utley, Maurice Keen•Western Folklore•1963

Unique citing works3
Citations per year0,38
Citation span2018 - 2022 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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