Musical Form in the Age of Beethoven
Selected Writings on Theory and Method
Bibliographic Data
| ID | 23770928 |
|---|---|
| Authors | A B Marx (corresponding author) |
| Editors | Scott Burnham |
| Year | 1997 |
| Publication date | 1997-12-04 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Musical Form in the Age of Beethoven: Selected Writings on Theory and Method (Cambridge Studies in Music Theory and Analysis) (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511582721 |
| OpenAlex | W4256404752 |
| ISBN | 9780511582721 |
| Language | EN |
| Citations received | 13 |
A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.
Aesthetics · Art · German · Ideology · Linguistics · Literature · Mainstream · Music history · Music theory · Musical · Musical analysis · Philosophy of music · Politics · Pride · Relation (database) · Salient · Symphony · Theology · Diverse Music Education Insights · History · Law · Musicians’ Health and Performance · Musicology and Musical Analysis · Philosophy
The Heavens are Telling’
Spontini and the City
Memesatz contra Ursatz
Cadential Melodies
A Form of Hope in Richard Strauss's Metamorphosen
Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas
The Development‐Ending Dominant and the Late Cadence in vi
Functional Analysis at the Fin de Siècle
Marx and the problem of justice
The (Co)Evolution of Language and Music Under Human Self-Domestication
Sonata Form and the Problem of Second-Theme Beginnings
Process and Pendulum in Schubert's Expanded Type 1 Sonatas
Cadence as Gesture in the Writings and Music of Arnold Schoenberg
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,36 |
| Citation span | 1990 - 2023 (34) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 13 |