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Resumo

In this article, I describe how following the contour of concepts can enable a minor inquiry in which voice might be rethought as what Deleuze and Guattari called a 'collective assemblage of enunciation.' Following the contour of Deleuze and Guattari's 'minor literature' and thinking voice as an assemblage, I both explain the characteristics of a minor literature and provide examples of the conditions for a minor inquiry. Mapping an enactment of a minor inquiry with examples from my previous work on voice, I conclude with what minor inquiry might look like as I experiment further with collective assemblages of enunciation.

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