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Continuing to Work toward US Manhood

Contemporary Performance-photographer Kerry Skarbakka’s The Struggle to Right Oneself

Bibliographic Data

ID2388197
AuthorsCorey Dzenko (Monmouth University, corresponding author)
Year2017
Volume20
Issue1
Pages3-26
Publication date2017-04-01
Open AccessYes
TypeARTICLE
VenueMen and Masculinities (JOURNAL)
Journal identifiersISSN: 1097-184X • E-ISSN: 1552-6828
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1097184x15604687
OpenAlexW2128376494
LanguageEN
Citations received1
References cited7

For his large-scale, color series The Struggle to Right Oneself (begun in 2002), contemporary performance-photographer Kerry Skarbakka depicts himself falling in order to discuss personal and broader social instabilities, such as the 'falling' reputation of the United States and the politics of identity. Although his white, male body in this precarious act suggests the potential loss of control of white masculinity, I argue that his work reinstates ideals of manhood in numerous ways. By analyzing the performative making of the series, the images themselves, and Skarbakka's presentations after he has made them, I examine how white masculinity continues as a highly operative, but un(der)examined, position in the contemporary United States. In particular, the construction of white masculinity in this series is furthered through the long-established tropes of 'work' and failure while the myth that certain bodies circulate without embodied particularities-a dangerous myth cultivated by, and necessary for, neoliberal ideologies-continues

Aesthetics · Art · Embodied cognition · Epistemology · Ideology · Literature · Masculinity · Mythology · Performative utterance · Political science · Politics · Sociology · Gender Roles and Identity Studies · Gender Studies · Gender, Feminism, and Media · Law · Philosophy · Youth Education and Societal Dynamics

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  • Sight Unseen

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Citations per year0.17
Citation span2020 - 2020 (1)
Highly citedNo

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