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Indigenous knowledge and creativities online

TikTok as a relational tool within the Indigenous art process

Bibliographic Data

ID2389488
AuthorsD Barnes (0009-0006-3900-1934, Macquarie University, corresponding author)
Year2024
Volume20
Issue2
Pages322-331
Publication date2024-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAlterNative An International Journal of Indigenous Peoples (JOURNAL)
Journal identifiersISSN: 1177-1801 • E-ISSN: 1174-1740
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/11771801241246731
OpenAlexW4395462597
LanguageEN
Citations received3
References cited26

This article explores the potential of TikTok videos as a method of relational engagement for Indigenous artists. The concept of relationality is the foundation of Indigenous artistic practices, through which Indigenous art is representative of an ongoing process of knowledge sharing and connection rather than a final product. Within this process, art is given meaning through the extensive relationships that inform its stories and symbolism such as the artist's connections, ancestral knowledges, and both Indigenous and non-Indigenous audiences. The ways that Indigenous artists share their art on platforms such as TikTok play a key role in the Indigenous art process. Using data produced through content analysis of three TikTok videos, this article highlights the various ways that Indigenous artists use TikTok videos and its functions as a means of sharing knowledge, locating their identities, and maintaining extensive relationalities with themselves, community, Country, and ancestors

Epistemology · Indigenous · Knowledge management · Knowledge sharing · Sociology · Traditional knowledge · Computer Science · Museums and Cultural Heritage · Participatory Visual Research Methods · Philosophy · Ecology

  • Being bound in a fieldsite

    Open Access•C Abidin, Jin Lee•Cultural Science Journal•2023

  • TikTok as an academic tool

    Jia Yuin Fam•Information Communication & Society•2025

  • Narrative strategies in short videos for traditional craftsmanship in intangible cultural heritage

    Open Access•Beiruo He, Zheng Luo et al.•Humanities and Social Sciences…•2026

  • Visual Liberations and Embodiments of Ancestral Memory

    D Barnes•The Routledge Handbook of…•2023

  • Algorithmic Folk Theories and Identity

    Open Access•Nadia Karizat, Dan Delmonaco et al.•Proceedings of the ACM on…•2021

  • Yarning/Aboriginal storytelling

    Lynore Geia, Lynore K Geia et al.•Contemporary Nurse•2013

  • The Colonial Project of Gender (and Everything Else)

    Open Access•O''Sullivan•Genealogy•2021

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    Open Access•A Farrell•Genealogy•2021

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    Open Access•B Carlson, Tracy Kennedy•Genealogy•2021

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    Open Access•Pat Dudgeon, Abigail Bray•Genealogy•2019

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    Open Access•M Day•Genealogy•2021

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    Open Access•O''Sullivan•Social Inclusion•2021

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    Graham Graham•Global Discourse•2014

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    Karen Martin, Karen Martin-Booran Mirraboopa•Journal of Australian Studies•2003

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    Mary Graham•Worldviews Global Religions…•1999

  • Mental health and well‐being of Aboriginal and Torres Strait Islander peoples in Australia during Covid‐19

    Open Access•Pat Dudgeon, Joanna Alexi et al.•Australian Journal of Social Issues•2021

  • Indigenous Internet Users

    Bronwyn Carlson•Australian Feminist Studies•2021

  • Writing themselves in

    Open Access•Georgia Coe•Media International Australia•2024

  • Black metal not Black-metal

    Open Access•Tracy Kennedy•Media International Australia•2018

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  • They Got Filters

    Open Access•B Carlson, Ryan Frazer•Social Media + Society•2020

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    Open Access•L Tynan•Cultural Geographies•2021

  • Love and hate at the Cultural Interface

    Open Access•B Carlson•Journal of Sociology•2020

Unique citing works3
Citations per year1
Citation span2023 - 2026 (4)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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