Reterritorialization and Whispers From the Walls
Bibliographic Data
| ID | 2390849 |
|---|---|
| Authors | Jennifer Way (0000-0002-8731-0612, University of North Texas, corresponding author) |
| Year | 2004 |
| Volume | 9 |
| Issue | 3 |
| Pages | 219-236 |
| Publication date | 2004-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Material Culture (JOURNAL) |
| Journal identifiers | ISSN: 1359-1835 • E-ISSN: 1460-3586 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1359183504046892 |
| OpenAlex | W2314091130 |
| Language | EN |
| References cited | 17 |
According to Kellie Jones, reterritorialization involves 'recapturing one's (combined and various) history, much of which has been dismissed as an insignificant footnote to the dominant culture'. In this essay, I bring artist and photography scholar Deborah Willis's use of Jones's concept of reterritorialization to bear on Whispers from the Walls, an installation that Whitfield Lovell created at the University of North Texas Art Gallery in 1999. Chiefly, I explore what kinds and whose histories Whispers from the Walls engaged. In particular, I emphasize contributions that the photographs Lovell studied to create the installation and the objects he included therein made to recovering histories
Art · Art history · Literature · Photography · Visual arts · Anthropological Studies and Insights · Museums and Cultural Heritage · Photography and Visual Culture
Inside culture
In small things forgotten
Introduction
Shopping, Place and Identity
It Is Not Going to Be Easy to Look Into Their Eyes’
Portraits of Community
From Double Consciousness to Double Vision
The practice of everyday life
Why are there so few black American archaeologists
By the Work of Their Hands
Black Texans
Interrogating "Whiteness," Complicating "Blackness
Culture and Imperialism
| Citation velocity | historical |
|---|---|
| Highly cited | No |