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Resumo

This article retraces the process by which a feathered rope, discovered in the roof of a house in Somerset, came to be displayed as a 'Witch's Ladder' in a glass case showing 'Magic and Witchcraft' at the Pitt Rivers Museum. This 'retracing' has revealed a set of alternative associations that the feathered rope has had: with other museum objects and written documents, as well as with a range of people. Although presented in the museum as a 'matter of fact', its original function is revealed to have been a 'matter of concern', enabling this 'object' to emerge from its glass case as a 'thing' (Latour). Retracing its network and the historical process by which it became a museum object has meant engaging with the scientific ambitions of E.B.Tylor and his notions of independent corroborating evidence, as well as with the more 'folkloric' practices of literary folklore.

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