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A proposal on agency and ritual artefacts

Bibliographic Data

ID2391080
AuthorsCarlo Severi (0009-0004-4800-2539, Laboratoire d’anthropologie sociale, Collège de France, Paris, France, corresponding author)
Year2016
Volume21
Issue1
Pages133-150
Publication date2016-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Material Culture (JOURNAL)
Journal identifiersISSN: 1359-1835 • E-ISSN: 1460-3586
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1359183515622837
OpenAlexW2408137738
LanguageEN
Citations received3
References cited12

In this article, the author proposes a re-examination of the first example of agency given by Alfred Gell in his famous Art and Agency (1998), namely the Zinganga 'nkisi (nail fetish) of Western Africa. This article essentially argues two points. First, the relation between the artefact and the person it incarnates is not, as Gell has defined it, bi-univocal (one-to-one), but can be better described as one-to-many. In the author's view, the ritual artefact does not work as a mirror reflection, but as a crystal. Secondly, the kind of 'distributed I' that the artefact enacts is not composed of a single identity distributed in several material occurrences, as Gell has described it in Art and Agency. In the author's view, another concept of plurality, defined as a set of different identities condensed in a single object, describes more appropriately the kind of agency that characterizes the 'nkisi

Aesthetics · Agency (philosophy · Archaeology · Assemblage (archaeology · Epistemology · Identity (music · Linguistics · Object (grammar · Reflection (computer programming · Relation (database · Set (abstract data type · Sociology · Anthropological Studies and Insights · Computer Science · Feminism, Gender, and Sexuality Studies · History · Migration and Exile Studies · Philosophy

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Unique citing works3
Citations per year0,43
Citation span2019 - 2024 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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