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The museum's lexis

Driving objects into ideas

Bibliographic Data

ID2391098
AuthorsGabriela Nicolescu (0000-0002-5342-9156, Goldsmiths College, London, UK, corresponding author)
Year2016
Volume21
Issue4
Pages465-489
Publication date2016-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Material Culture (JOURNAL)
Journal identifiersISSN: 1359-1835 • E-ISSN: 1460-3586
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1359183516664207
OpenAlexW2554436322
LanguageEN
Citations received3
References cited22

This article discusses how exhibition making can be seen as a creative method for building anthropological knowledge. Situations of conflict between social classes, curatorial practices and disciplines remind us of the existence of a very subtle and enduring museum lexis which governs how political ideas are put on display. Research was conducted in tandem with an exhibition the author curated in the National Museum of the Romanian Peasant 21 years after the collapse of the communist regime in South-Eastern Europe. Reflecting upon this process, the author shows how museums use a specific lexis that is based not only on existing practices but also on contingency. These facets each engage two different notions of temporality: while practice involves repetitiveness, predictability and continuity over different historical periods, contingency creates unexpected groupings of things, settings and meanings. It is the balance of the interplay between practice and contingency that dictates how the audience engages with museum discourse

Aesthetics · Archaeology · Art · Contingency · Epistemology · Exhibition · Lexis · Linguistics · Political science · Politics · Sociology · Temporality · Anthropological Studies and Insights · Cultural Heritage Management and Preservation · History · Law · Museums and Cultural Heritage

  • The 'Inter-Disciplined' Exhibition - A Case Study

    Open Access•Henriette Pleiger•Museum and Society•2020

  • From Border Fetishism to Tactical Socialism

    Gabriela Nicolescu•East Central Europe•2018

  • On ruination

    Gabriela Nicolescu•World Art•2017

  • The Politics of Aesthetics

    Jacques Rancière•The Politics of Aesthetics•2012

  • The intellectuals on the road to class power

    György Konrad•The intellectuals on the road to…•1979

  • On Longing

    Susan Stewart•On Longing•1993

  • The Wedding of the Dead

    Gail Kligman, Gail Klingman•Wedding of the Dead•1988

  • National Ideology Under Socialism

    Katherine Verdery•National Ideology under Socialism•1991

  • Fetishes and Monuments

    R Sansi, Roger Sansi-Roca•Fetishes and monuments•2007

  • Archive Fever

    Jacques Derrida, Eric Prenowitz•diacritics•1995

  • The Museum on the Roof of the World

    Clare Harris, Clare E Harris•The museum on the roof of the world•2012

  • Reading the Contemporary

    Ikem Stanley Okoye, Olu Oguibe et al.•African Arts•2001

  • The birth of the museum

    Tony Bennett•The birth of the museum•1995

  • Photography and Fetish

    Christian Metz•October•1985

  • Intricate relations between Western anthropologists and Eastern ethnologists

    Open Access•M Buchowski•Focaal•2012

  • On the discrepancy between objects and things

    Open Access•Fernando Dominguez Rubio•Journal of Material Culture•2016

  • The Museum as Method

    Open Access•Nicholas Thomas•Museum Anthropology•2010

Unique citing works3
Citations per year0,33
Citation span2017 - 2020 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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