A stone that feels right in the hand
Tactile memory, the abduction of agency and presence of the past
Dados Bibliográficos
| ID | 2391101 |
|---|---|
| Autores | John Harries (0000-0001-7359-8419, The University of Edinburgh, UK, autor correspondente) |
| Ano | 2017 |
| Volume | 22 |
| Fascículo | 1 |
| Páginas | 110-130 |
| Data de publicação | 2017-03-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Journal of Material Culture (JOURNAL) |
| Identificadores do periódico | ISSN: 1359-1835 • E-ISSN: 1460-3586 |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1359183516679187 |
| OpenAlex | W2556569853 |
| Idioma | EN |
| Citações recebidas | 22 |
| Referências citadas | 54 |
This article is a theoretical and ethnographic exploration of the possibility of 'touching the past'. Drawing on fieldwork from Newfoundland, Canada, and in conversation with Gell's Art and Agency (1998), it focuses on the process of abduction whereby, in their discovery and handling, pieces of stone become artefacts that index the presence of an absent other. It is argued that through this tactile process of becoming an artefactual index, the distinction between past and present is momentarily dissolved, enfolded into the fit between stone and hand, giving rise to the possibility of historical sensation and the feeling of pastness
Aesthetics · Agency (philosophy · Art · Conversation · Epistemology · Ethnography · Feeling · Index (typography · Process (computing · Sociology · Visual arts · Anthropological Studies and Insights · Anthropology · Communication · Computer Science · Cultural Heritage Management and Preservation · Geographies of human-animal interactions · History · Philosophy · Psychology · Social Psychology
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Carbon Vitalism
Skin-to-skin with the house
Matter of absence
Material Sense
Writing with rocks
Stories of reconciliation enacted in the everyday lives of Sámi tourism entrepreneurs
The Magnitude of a Practice
Sensing the Life of Material
Together-in-Time
Power, Ambivalence, Petition, Danger
Memory Scrapers
Coins and Cosmologies in Iron Age Western Britain
The affective and sensory potencies of urban stone
An archaeology of dementia
Reframing the Chipped Edge
Tourists of their own past
Morts pour la France
Where places fold
Living with the past at home
Flower, soil, water, stone
Material historicity
Phenomenological Approaches in Landscape Archaeology
Material Agency, Skills and History
Art And Agency
Archaeology and the Senses
Sublime Historical Experience
Memory, History, Forgetting
Materiality
The textility of making
Episodic Memory
At the Potter’s Wheel
Museum Materialities
The Extermination of the Beothucks of Newfoundland
Conversations on Science, Culture, and Time
Reassembling the Social
Ceremonies of Renewal
Touching the Past
Touching the void
History's affective turn
Experiencing Texture and Transformation in the British Neolithic
Viking heritage tourism
Remembering a 'multicultural' future through a history of emigration
Follow the Cut, Follow the Rhythm, Follow the Material
The Force of Things
Sought Experiences at (Dark) Heritage Sites
Don't Touch! Hands Off! Art, Blindness and the Conservation of Expertise
Spatial Textures
What Is to Be Remembered
Spots of Time
Making Sense through Touch
Touch, and the Limits of the Rational MuseumorCan Matter Think
Getting in touch with history
The Working People of Richmond
The temporality of the landscape
Making sense of the past in the present
Symmetrical archaeology
These Rude Implements
Fear and Temptation
The Immanent Past
After Authenticity at an American Heritage Site
On Pastness
Salvage memory
Vision, Media, Noise and the Percolation of Time
Thing Theory
Experiencing the past? The development of a phenomenological archaeology in British prehistory
| Obras citantes distintas | 22 |
|---|---|
| Citações por ano | 2,75 |
| Intervalo de citações | 2018 - 2026 (9) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 22 |