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Precarity, Biography, and Event

Work and Time in the Cultural Industries

Bibliographic Data

ID2392043
AuthorsMark Banks (0000-0002-3058-847X, University of Leicester, corresponding author)
Year2019
Volume24
Issue4
Pages541-556
Publication date2019-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSociological Research Online (JOURNAL)
Journal identifiersISSN: 1360-7804 • E-ISSN: 1360-7804
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1360780419844526
OpenAlexW2942730645
LanguageEN
Citations received14
References cited28

This article explores the temporality of work and employment in the cultural, creative, and media industries ('cultural work'). Building on recent sociological writing on 'event-time', I explore the ways in which owner-managers of small creative firms navigate the contingent workplace in a world of allegedly advanced 'precarity', yet seek also to maintain their own stable anchorage to a linear 'biographical' time marked by continuity and a control of material privilege. It is argued that understanding the political economy of time in cultural work requires theorization of temporal continuity as well as change, not only to avoid making undue epochal judgements but also to ensure continued recognition of social differences in the ways time is being encountered and experienced at work

Aesthetics · Creative work · Epistemology · Event (particle physics) · Linguistics · Narrative · Political economy · Political science · Politics · Precarious work · Precarity · Privilege (computing) · Sociology · Temporality · Work (physics) · Crafts, Textile, and Design · Cultural Industries and Urban Development · Fashion and Cultural Textiles · Gender Studies · Law

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Unique citing works14
Citations per year2,33
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 14

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