‘You Gotta Snipe the Ride While You’re Awake’

Surveillant Assemblages and the Datafied Illusion of Choice in inDrive Egyptian Drivers’ Videos

Bibliographic Data

ID24019342
AuthorsRania Fawzy (0000-0002-3638-0514, Arab Academy for Science, Technology, and Maritime Transport), Shahinaz Hesham Elsamadoni (0009-0000-0055-7210, Arab Academy for Science, Technology, and Maritime Transport), Tariq Elyas (0000-0002-2898-7391, King Abdulaziz University, corresponding author)
Year2026
Pages1-19
Publication date2026-08-05
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMiddle East Critique (JOURNAL)
Journal identifiersISSN: 1943-6149 • E-ISSN: 1943-6157
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19436149.2026.2705153
OpenAlexW7172519416
LanguageEN
References cited21

This article approaches gig driving both as precarious work and a ‘semiotic surveillance mechanism’ that describes how platform interfaces and drivers’ discourse jointly produce the appearance of choice while making labor increasingly visible, calculable, and governable. Empirically, the article analyzes five Arabic-language YouTube videos produced by Egyptian inDrive drivers, supplemented by a rider-app walkthrough conducted in Cairo to contextualize the interface features that drivers discuss, including fare negotiation, ratings, commissions, and app prompts. The article draws together Halliday’s concept of semiosis as choice, Halliday and Matthiessen’s theory of semogenesis, and Haggerty and Ericson’s notion of surveillant assemblage to examine how inDrive drivers in Egypt articulate and navigate ‘choice’ in their self-produced YouTube videos. The analysis shows that drivers construe choice through metaphors of hunting and sniping, through evaluations of fairness, risk, and respect, and through detailed talk about time, place, ratings, and cash. Although the platform markets price negotiation as a sign of agency, the interface functions as an algorithmic script that determines which choices are intelligible, executable, and profitable. What appears as free choice operates within surveillance practices of datafication, evaluation, and penalty.

Illusion · Digital Media and Philosophy · Middle East Politics and Society · South Asian Cinema and Culture

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