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Resumo

Hybrid colonial objects are potent. Simply stated, hybrid colonial objects in museum contexts are defined as those items that contain material characteristics of both colonizer and the colonized. These objects are constituted in complex colonial contexts, resulting from the adoption and fusing of elements of style, manufacture, material, and meaning from distinct intellectual and cultural legacies, which were themselves hybrids. While hybridized material culture was used alongside more familiar, perhaps non-hybrid objects, archaeologists encounter hybrid colonial objects differently. They seemingly encapsulate in material form a certain lived experience of colonialism, allowing validation that the concepts of hybridity we argue were real and tangible in the past. In this paper, I turn a critical mirror on collections of colonial material from eastern North America at the Peabody Museum of Archaeology and Ethnology at Harvard University to discuss not only how hybrid artifacts from the colonial world were documented, cataloged, and preserved, but also to interrogate the processes of longing and fetishization that impact the collection and interpretations of these objects.

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