Thinking technology for the Anthropocene

Encountering 3D printing through the philosophy of Gilbert Simondon

Datos Bibliográficos

ID2406331
AutoresT Roberts (0000-0002-8214-4424, The University of Melbourne, autor de correspondencia), Tom Roberts (0009-0007-3478-8261), Thomas Roberts (0000-0002-8753-7139, The University of Melbourne)
Año2017
Volumen24
Número4
Páginas539-554
Fecha de publicación2017-10-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaCultural Geographies (JOURNAL)
Identificadores de la revistaISSN: 1474-4740 • E-ISSN: 1477-0881
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/1474474017704204
OpenAlexW2607370312
IdiomaEN
Citas recibidas15

The notion that the Earth has entered a new epoch characterized by the ubiquity of anthropogenic change presents the social sciences with something of a paradox, namely, that the point at which we recognize our species to be a geologic force is also the moment where our assumed metaphysical privilege becomes untenable. Cultural geography continues to navigate this paradox in conceptually innovative ways through its engagements with materialist philosophies, more-than-human thinking and experimental modes of ontological enquiry. Drawing upon the philosophy of Gilbert Simondon, this article contributes to these timely debates by articulating the paradox of the Anthropocene in relation to technological processes. Simondon's philosophy precedes the identification of the Anthropocene epoch by a number of decades, yet his insistence upon situating technology within an immanent field of material processes resonates with contemporary geographical concerns in a number of important ways. More specifically, Simondon's conceptual vocabulary provides a means of framing our entanglements with technological processes without assuming a metaphysical distinction between human beings and the forces of nature. In this article, I show how Simondon's concepts of individuation and transduction intersect with this technological problematic through his far-reaching critique of the 'hylomorphic' distinction between matter and form. Inspired by Simondon's original account of the genesis of a clay brick, the article unfolds these conceptual challenges through two contrasting empirical encounters with 3D printing technologies. In doing so, my intention is to lend an affective consistency to Simondon's problematic, and to do so in a way that captures the kinds of material mutations expressive of a particular technological moment

Aesthetics · Anthropocene · Ecocriticism · Environmental ethics · Epistemology · Individuation · Materialism · Metaphysics · Relation (database · Sociology · French Urban and Social Studies · Geographies of human-animal interactions · Philosophical and Theoretical Analysis · Philosophy · Psychology