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Call Me America

The Construction of Race, Identity, and History in Henry Louis Gates Jr.'s Wonders of the African World

Bibliographic Data

ID2408095
AuthorsZine Magubane
Year2003
Volume3
Issue3
Pages247-270
Publication date2003-08-01
Open AccessYes
TypeARTICLE
VenueCulture Studies ↔ Critical Methodologies (JOURNAL)
Journal identifiersISSN: 1532-7086 • E-ISSN: 1552-356X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1532708603254351
OpenAlexW2004942454
LanguageEN
Citations received1
References cited9

The article analyzes Henry Louis Gates Jr.'s six-part, 12-hour documentary, Wonders of the African World, and the fierce debates that occurred between Africana and African Americans about issues of race, identity, and history in the wake of the video's release. The article explores the ways in which questions about racial identity, the relationship of African Americans to Africa, and the politics of history were framed in the film and how this relates to larger societal debates about Africans and African Americans in the academy, race and citizenship, and identity and narrative authority

Aesthetics · African american · Art · Citizenship · Identity (music · Literature · Narrative · Political science · Politics · Race (biology · Sociology · Anthropology · Cinema and Media Studies · Critical Race Theory in Education · Race, History, and American Society · Gender Studies · History · Law

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  • Black Orientalism? Further Reflections on “Wonders of the African World”

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Citations per year0.06
Citation span2009 - 2009 (1)
Highly citedNo

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