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Critical Madness, Enunciative Excess

The Figure of the Madwoman in Postmodern Feminist Texts

Bibliographic Data

ID2408101
AuthorsAnnette Schlichter
Year2003
Volume3
Issue3
Pages308-329
Publication date2003-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCulture Studies ↔ Critical Methodologies (JOURNAL)
Journal identifiersISSN: 1532-7086 • E-ISSN: 1552-356X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1532708603254434
OpenAlexW2077047050
LanguageEN
Citations received4
References cited18

This article provides a comparison of the politics of representation through the performance of hysteria and madness in Luce Irigaray's collection of essays, This Sex Which Is Not One, and Kathy Acker's novel, Don Quixote: Which Was a Dream. Through close readings of Irigaray's and Acker's texts, the article explores how these critical, feminist projects question the mechanisms and effects of a dominant tradition in which they participate at the same time. These readings argue against a widespread feminist position which claims that the use of 'the madwoman' restricts feminist theory either to silence or to a powerless, delirious, speaking position. Rather, this article shows that the figure does not exclusively symbolize the restrictions of feminist theory through dominant discourses but that it aids postmodern authors such as Irigaray and Acker in the creation of an excessive politics of enunciation, which destabilizes and reconfigures the conditions of representation

Aesthetics · Art · Dream · Epistemology · Feminism · Feminist philosophy · Feminist theory · Literature · Politics · Postmodernism · Psychoanalysis · Representation (politics · Silence · Sociology · Autobiographical and Biographical Writing · Contemporary Literature and Criticism · Narrative Theory and Analysis · Psychology · Gender Studies · Law · Philosophy

  • Gênero, Sexualidade E a Teoria Queer Na Educação

    Open Access•Dilton Ribeiro Do Couto Junior, Dilton Ribeiro Couto Junior•Atos de Pesquisa em Educação•2016

  • Madwoman at Large

    Anna Kowalcze-Pawlik, Anna Kowalcze‐Pawlik•The Polish Review•2021

  • Why Insanity Is Not Subversive in Hanan Al-Shaykh's Short Story 'Season of Madness

    Luma Balaa•Australian Feminist Studies•2014

  • Valerie Solanas and the Queer Performativity of Madness

    Open Access•Desireé D Rowe, Karma R Chávez•Culture Studies ↔ Critical…•2011

  • Alice Doesn’t

    Open Access•Teresa De Lauretis•Alice Doesn't•1984

  • Portrait of Dora

    Hélène Cixous, Sarah Burd•diacritics•1983

  • Flogging a Dead Language

    Open Access•Nicola Pitchford•Postmodern Culture•2000

  • The Madwoman and Her Languages

    Nina Baym•Tulsa Studies in Women s Literature•1984

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • French Feminism Is a Universalism

    Naomi Schor•differences•1995

  • The Subversive Power of Sexual Difference in The Work of Kathy Acker

    Glenn A Harper, Glenn Harper•SubStance•1987

  • "Introduction to Luce Irigaray's "When Our Lips Speak Together

    Carolyn Burke•Signs: Journal of Women in…•1980

  • Luce Irigaray's 'Contradictions

    Maggie Berg•Signs: Journal of Women in…•1991

  • On the 'Universality' of Madness

    Jacqueline Rose•Critical Inquiry•1994

Unique citing works4
Citations per year0,27
Citation span2011 - 2021 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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