An Ontology of a Backflip
Bibliographic Data
| ID | 2408779 |
|---|---|
| Authors | Alecia Youngblood Jackson (0000-0001-5016-6752) |
| Year | 2016 |
| Volume | 16 |
| Issue | 2 |
| Pages | 183-192 |
| Publication date | 2016-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Culture Studies ↔ Critical Methodologies (JOURNAL) |
| Journal identifiers | ISSN: 1532-7086 • E-ISSN: 1552-356X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1532708616634735 |
| OpenAlex | W2293665394 |
| Language | EN |
| Citations received | 14 |
| References cited | 12 |
I use the Deleuze and Guattari geo-philosophical 'Plateau 11. 1837: Of the Refrain' to map the conditions of the emergence of a particular territorial refrain: a backflip. Using a research encounter that involved a cheerleading dance, I position the backflip as a refrain that draws from the rhythms of various milieus to mark a territory. I follow the backflip along a line of flight to describe its ontological force of creation and newness
Aesthetics · Art · Dance · Deleuze and Guattari · Epistemology · Literature · Ontology · Plateau (mathematics · Sociology · French Urban and Social Studies · Geographies of human-animal interactions · Mathematics · Posthumanist Ethics and Activism · Philosophy
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Three Refrains
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Refraining Co-Becomings
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| Unique citing works | 14 |
|---|---|
| Citations per year | 1,56 |
| Citation span | 2017 - 2026 (10) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 13 |