Writing Urban Space
Street Art, Democracy, and Photographic Cartography
Bibliographic Data
| ID | 2408833 |
|---|---|
| Authors | Jasmine Brooke Ulmer (0000-0002-8711-0151, corresponding author) |
| Year | 2017 |
| Volume | 17 |
| Issue | 6 |
| Pages | 491-502 |
| Publication date | 2017-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Culture Studies ↔ Critical Methodologies (JOURNAL) |
| Journal identifiers | ISSN: 1532-7086 • E-ISSN: 1552-356X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1532708616655818 |
| OpenAlex | W2460925475 |
| Language | EN |
| Citations received | 17 |
| References cited | 28 |
In this article, the street is both a place of travel and a space for critical discourse. As tensions between public and private spaces play out in the streets, street artists claim visible space through multiple forms of art. Through a critical performance geography and a qualitative inquiry of the street, I photograph the movement of art across walls, doorways, windows, sidewalks, lampposts, alleyways, gutters, and dumpsters over a 7-month period in the Eastern Market neighborhood of Detroit ( N = 806). After describing street art as a fluid genre that has developed into a diverse spectrum of post-graffiti, I explore how street art contributes to a changing visual terrain through discussions of racism, decolonization, gentrification, and the role of art in spatial justice. Photographic cartography is introduced as (a) a visual method of performance geography that illustrates material-discursive 'fault lines' and (b) a critical means of analyzing conversations in contested public space. Significantly, street artists simultaneously work within and against urban renewal policies in 'creative cities' such as Detroit. Given that the arts are at the center of sophisticated visual discourse regarding neoliberalism, democracy, and the battle over public space, researchers might continue to examine how street artists inscribe social justice in, on, and around the streets
Art · Art history · Art world · Cityscape · Democracy · Gentrification · Graffiti · Media studies · Neoliberalism (international relations · Performance art · Political science · Politics · Public space · Right to the city · Social science · Sociology · Visual arts · Visual culture · Engineering · Geographies of human-animal interactions · Public Spaces through Art · Urban and sociocultural dynamics · Law · Urban Studies
The Guerrilla Gallery
Food, Water, Shelter, Justice, Love
Street art in non-capital urban centres
Rebel imaginings
Arte e cultura, hegemonia e resistência
Urban artivism and migrations. Disrupting spatial and political segregation of migrants in European cities
Murals as Resistance
Social Role Narrative of Disabled Artists and Both Their Work in General and in Relation to Science and Technology
Graphic Narratives, Trauma and Social Justice
Perception and reaction of undergraduate critical disability studies students to six short films depicting neuro-advancements
Minor gestures
The legacy of redlining in the effect of foreclosures on Detroit residents’ self-rated health
From the Tag to the #Hashtag
Graffiti of the “New” Hong Kong and Their Imaginative Geographies During the Anti-Extradition Bill Protests of 2019–2020
Crafting Cities for All
The borders of theory
Composing Techniques
Poststructuralist Geographies
Housing Policy in the United States
The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit
The Making of Black Detroit in the Age of Henry Ford
Sensory digital photography
Ways of mind-walking
Slow Art in the Creative City
Framing [Con]text
Spikey Posters
Transmutation and Reinvention of Public Spaces Through Ideals of Urban Planning and Design
Graffiti or Street Art? Negotiating the Moral Geographies of the Creative City
The Detroit Future City
A Fluid Frontier
In and Against Rhythms of the Neoliberal Public
Confronting Neoliberalism
Acts of Activism ↔ Politics of Possibility
Placing post-graffiti
Different futures for different neighborhoods
Painting with permission
Culture on the Ground
Photography Interrupted
Writing Visually Through (Methodological) Events and Cartography
Risky Pleasures
Graffiti as Career and Ideology
| Unique citing works | 17 |
|---|---|
| Citations per year | 1,89 |
| Citation span | 2017 - 2025 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 16 |