Loving Writing/Ovid's Amores
Bibliographic Data
| ID | 24159595 |
|---|---|
| Authors | Ellen Oliensis (University of California, Berkeley, corresponding author) |
| Year | 2019 |
| Publication date | 2019-07-11 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Loving Writing/Ovid's Amores (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781108687027 |
| OpenAlex | W4210963817 |
| ISBN | 9781108687027 |
| Language | EN |
| Citations received | 3 |
| References cited | 89 |
This book offers a fresh reading of the Amores centered on the aggressive, opportunistic, endlessly fluent, pleasure-seeking character, the poet-lover of the collection, here called Naso. Resisting the scholarly tendency to segregate the poet from the lover, Ellen Oliensis teases out the compromising affiliations between Naso's most 'poetic' performances and his seamy erotic adventures and shows that his need to write the script of his own subjection, far from delegitimizing his desire, tallies with other features of his generally masochistic profile. The book concludes with an exploration of the masochistic pleasures of the elegiac writing project as such, thereby effectively re-uniting Ovid with his surrogate within the collection.
Adventure · Art · Art history · Character (mathematics) · Elegiac · Linguistics · Literature · Pleasure · Poetry · Reading (process) · Decadence, Literature, and Society · Literature: history, themes, analysis · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism
I, the Poet
Gendering Time in Augustan Love Elegy
Body Work
The Ring of Truth
Talking Books
The Amores
Seduction and Repetition in Ovid’s Ars Amatoria 2
Loves and elegy
The puella
The poeta-amator, nequitia and recusatio
Gender and sexuality
An elegist's career
The Latin elegiac couplet
The Distinction of Fiction
Life and Death in Psychoanalysis
The Roman cultural revolution
Cynthia: A Companion to the Text of Propertius
The Latin Sexual Vocabulary
The Dramatic Coherence of Ovid, Amores 1.1 and 1.2
Ille ego
Ovid's Language and Style
The Elegiac Passion
Ovid, Amores (Book 1)
The Cambridge Companion to Latin Love Elegy
Virgil's Eclogues and the Art of Fiction
Constructions of the Classical Body
A Companion to Roman Love Elegy
Ovid's Early Poetry
Ovid's Revisions
The Ovidian Heroine as Author
Not All Dead White Men
Plagiarism in Latin Literature
Women and Slaves in Greco-Roman Culture
Ovid's Lovers
The Cambridge Companion to Ovid
Slavery and the Roman Literary Imagination
Sidney, Petrarch, and Ovid, or Imitation as Subversion
The Mole on the Face
On the Edge of the Text
Ovid
Ovids Amores
Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses<
The Epigrams of Philodemos
Menelaus’ Wound (And Lavinia's Blush)
Tibullus, Messalla, and the spica
Latin Love Poetry
Caput mundi
Ovid's Elegy on Tibullus and Its Models
Love's Arrows Lost
Ovid, from Image to Narrative
Ovid's Homer
Ovid's New Muse
"Sincerity" and the Roman Elegists
Snowmelt in the Alps
The Poet as Pimp
Metapoetic Pseudonyms in Horace, Propertius and Ovid
Subjecting Verses
Brill's Companion to Ovid
Musa Pedestris
The Author's Voice in Classical and Late Antiquity
Re-Creating the Canon
Corpus Eroticum
The Drooping Rose
Generalising About Ovid
Ovid, "Amores" 1.8
Love without Elegy
Ipsa Dixerat
Dramatic Pairings in the Elegies of Propertius and Ovid
| Unique citing works | 3 |
|---|---|
| Citations per year | 1,5 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |