Motion in Classical Literature
Homer, Parmenides, Sophocles, Ovid, Seneca, Tacitus, Art
Dados Bibliográficos
| ID | 24173630 |
|---|---|
| Autores | G O Hutchinson (0000-0002-3306-1673, University of Oxford, autor correspondente) |
| Ano | 2020 |
| Data de publicação | 2020-05-07 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Motion in Classical Literature (SOURCE_BOOK) |
| Editora | Oxford University PressOxford (PUBLISHER) |
| DOI | 10.1093/oso/9780198855620.001.0001 |
| OpenAlex | W4232277028 |
| ISBN | 9780198855620 |
| Idioma | EN |
| Citações recebidas | 5 |
| Referências citadas | 111 |
Ancient literature is full of people, gods, and animals in impressive motion. But while the importance of space has been realized recently, motion has had little attention, for all its prominence in literature, and its interest to ancient philosophy. Motion is bound up with decisions, emotions, character; its specific features are expressive. The book starts with motion in visual art: this leads to the characteristics of literary depiction. Literary works discussed are: Homer’s Iliad; Ovid’s Metamorphoses; Tacitus’ Annals; Sophocles’ Philoctetes and Oedipus at Colonus; Parmenides’ On Nature; Seneca’s Natural Questions. The two narrative poems here diverge rewardingly, as do philosophical poetry and prose; in the prose narrative, as in the philosophical poem, the absence of motion, and metaphorical motion, are important; the dramas scrutinize motion verbally and visually. Each discussion pursues the general roles of motion in a work, with detail on its language of motion; then passages are analysed closely, to show how much emerges when this aspect is scrutinized. A conclusion brings works and passages together. It considers the differences made by genre and by the time of writing. Among aspects of motion which emerge as important are speed, scale, shape of movement, motion and fixity, movement of one person and a group, motion willed and imposed, motion in images and unrealized possibilities. A companion website makes it easier to see passages and analyses together; it offers videos of readings to convey the vitality and subtlety with which motion is portrayed.
Aesthetics · Art · Character (mathematics) · Depiction · Literature · Motion (physics) · Movement (music) · Narrative · Natural (archaeology) · Poetry · Artificial Intelligence · Classical Antiquity Studies · Classical Philosophy and Thought · Computer Science · History · Language, Metaphor, and Cognition · Mathematics · Philosophy
The Ptolemaic Papyri of Homer
Migration and Mobility in the Early Roman Empire
The Art of Losing
Narrate and Describe
History and Alternative Histories
Image and world in epinician poetry
Style and Form in Seneca’s Writing
Seneca’s Originality
Metaphorical travel and ritualperformance in epinician poetry
The Trojan War, Theoxenia, and Aegina in Pindar's Paean 6 and the Aphaia Sculptures
Thebes, Aegina, and the Temple of Aphaia
Giving Wings to the Aeginetan Sculptures
Literature and the Spatial Turn
From Adultery to Incest
Magic Accusations against Women in Tacitus’s Annals
The emperor in the Roman world (31 BC-AD 337)
The stagecraft of Aeschylus
Tragedy and civilization
Space and place
Pots & plays
Jacob Wackernagel, Lectures on Syntax
Chapter 6. Mind and Motion in Aristotle
Chapitre V. Iris et Hermès, médiateurs en action
Aristotle on Self-Motion
La conception du mouvement chez les anciens philosophes grecs
Sur la composition du traité dit de motu animalium
Chapitre I. Visibilité, invisibilité et identité des dieux
Chapter 5. Aristotle on the Mind’s Self-Motion
Minima Parmenidea
The Philosophy of Artistic Creation
Oxford Studies in Ancient Philosophy
Sex, Gender, and Class in the Poem of Parmenides
Aristotle and the Eleatic One
Seneca e le scienze naturali
Aristotle on desire and action
Simplicii in Aristotelis physicorum libros quattuor priores commentaria
Sophocles and Time
Die meteorologischen Theorien des griechischen Altertums von Otto Gilbert ; von der Königlich Bayerischen Akademie der Wissenschaften ; mit dem Zographospreise gekrönt.
Etymological Dictionary of Greek
Oxford Studies in Ancient Philosophy
Naturales quaestiones
On Location
The Transformations of Ovid’s Medea (Metamorphoses vii. 1–424)
Apollonius Rhodius as an (anti-)Homeric Narrator
Chapter Eleven. The Unfortunate Marriage Of Gaius Silius
The Metamorphosis of Ovid’s Medea
The Works of Seneca the Younger and Their Dates
Chapter 7. Aristotle’s Prime Mover
Mysterious Lemnos
Chapter 14. The Arts at Vergina-Aegae, the Cradle of the Macedonian Kingdom
Greek Prepositions
Sophocles
Tragedy in Ovid
Sophocles
Generi lirico-corali nella produzione drammatica di Sofocle
Philological and Historical Commentary on Ammianus Marcellinus XVII
Nero Caesar Augustus
Parmenides' Refutation of Motion and an Implication
Parmenides’ Epistemology and the Two Parts of his Poem
Aristotle’s Model of Animal Motion
Aristotle on the Starting-Point of Motion in the Soul
Parmenides' Refutation of Motion
Mycenaeae graecitatis lexicon
Parmenides of Elea
Parmenides. A Text with Translation, Commentary, and Critical Essays
Greek Sculpture. The Archaic Period. A Handbook
Seneca as a Source For Earlier Thought (Especially Meteorology)
Read the Instructions
Deflected Addresses
The Discobolos of Myron
Motion in Grattius
The Language of Sophocles
(Studies in the Lyric Metres of Greek Tragedy1)
Lessing’s Laocoon as Analytical Instrument
Unfinished Business
The Shield of Achilles
From Poetry to History
Corinthian Vase-Painting of the Archaic Period
No Regrets
Arminius and Flavus across the Weser
Master Narratives and the Wall Painting of the House of the Vettii, Pompeii
The Mind in Motion
Aegina
Homer and the Art of Overtaking
Non-Attic Greek Vase Inscriptions
Space and Time in Ancient Greek Narrative
Generic Enrichment in Vergil and Horace
The Metamorphosis of Persephone
The Production of Space in Latin Literature
Die Ilias und ihr Dichter
Sophoclea
Seneca
Metamorphosis in Greek Myths
Greek to Latin
La représentation du temps et des mythes dans l'art grec aspectif
Greek Forms of Address from Herodotus to Lucian
Who Were the Nobility of the Roman Empire
| Obras citantes distintas | 5 |
|---|---|
| Citações por ano | 1,25 |
| Intervalo de citações | 2022 - 2025 (4) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 4 |