In the break
The aesthetics of the Black radical tradition
Dados Bibliográficos
| ID | 24198348 |
|---|---|
| Autores | Fred Moten (0009-0004-5884-8597) |
| Ano | 2003 |
| Páginas | 315 |
| Data de publicação | 2003-01-01 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | In the break (SOURCE_BOOK) |
| Editora | University of Minnesota Press (PUBLISHER • US) |
| Open Library | OL3576634M |
| ISBN | 9780816640997 |
| Idioma | EN |
| Citações recebidas | 557 |
African American aesthetics · African American arts · African americans · Arts · Intellectual life · Political aspects · Political aspects of Arts · politics and government · Radicalism · united states
Theft Is Property!
Art Activism for an Anticolonial Future
My Name Is Peaches
Senseless Violence? Fiction and Feeling in Contemporary America
Mulheres Brancas, Branquitude E Afeto
Onticídio
Tasting the Archive
O que o cinema quer da gente é coragem
Musealizar a queda
Subverting Form-Poetic and Otherwise
Precious Lord
Conceptualizing Black Humanity Through Geopoetic Intimacy and Resistance
Professional Mourning
Vidas negras entre artes, ciências e filosofias
Revolt at the source
Black women’s filicidal rage in zones of impoverishment
Habitar A Escuridão
A abstração da inequivalência
A weapon of responsibility
For a poetics of rage in the business school undercommons
Les Saisons de l'histoire
The Seasons of History
The Concatenate Poetics of Slavery and the Articulate Material of Dave the Potter
The Trouble with Publicness
Ralph Ellison's Righteous Riffs
Innocent by Contamination
Any Other Age
The Science of Freedom
Remembering Fred Ho
Environmental Horror and White Extinction
Skirmish at the Oasis
Dispossessing Animism
The Grooves of Temporality
The End of Diversity
Sound's Matter
Actors and Accidents in South African Electronic Music
Against Listening
The Veering Escapology of Sharon Hayes and Patty Hearst
Suicide and Survival in the Work of Kara Walker
Black and Blur (consent not to be a single being) by Fred Moten
Kakokairos
The Umbilicate Ear
Harryette Mullen and the Contemporary Jazz Voice
Carolina Shout
Black Serial Poetics
Orienting "Composure" in the Sculptural and Poetic Work of Barbara Chase-Riboud
Painting After All
The Restored Literary Behaviors of Neo-Slave Narratives
A Grammar of Little Manhood
Nina Simone's Triple Play
How A Revolutionary Counter-Mood Is Made
Abstract of
Dancing Energies
“Queering the Jazz Aesthetic: An Interview with Sharon Bridgforth and Omi Osun Joni Jones”
Alive With You: Blood Orange's Sense of Distance in Resonant Love
“Once More with Feeling”
Sonic Contagions: Bird Flu, Bandung, and the Queer Cartographies of MIA
Afroperuvian feminisms and performance geographies of diasporicity, 1953-2013
Black Critical and Cultural Theory
Caribbean Literature in Transition, 1800–1920
Transforming Ethnomusicology Volume I
Continental Drift
Second Skin
Immaculate Misconceptions
Making Black History
Black Love, Black Hate
Reading the Colonial Archive through Joscelyn Gardner’s Creole Portraits I–III
José Martí, José Rizal, and Their Speculative Extended Caribbean
Radical Tenderness
Framing the Black Soldier
Louis Agassiz and the American School of Ethnoeroticism
Black Infinity
Separated At “Birth”
Can One Get Out? The Aesthetics of Afro-Pessimism
Lyric Reading in the Black Ethnographic Archive
The Transitivity of Race and the Challenge of the Imagination
Print, Prosthesis, (Im)Personation
Future Movements
Abolition Terminable and Interminable
Listening to Du Bois’s Black Reconstruction
I Am Where I Think
African American Studies
What is This 'Black 'in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education
Constellations
The Twenty-First-Century Black Studies Turn to Melancholy
“Rightly Viewed”
Lynching, Visuality, and the Un/Making of Blackness
Identity for Sale
Ida B. Wells and the Shadow Archive
“A More Perfect Likeness”
Born Palestinian, Born Black
The Laughing “No”
Alice Dunbar-Nelson’s Charm Aesthetics and the Bugbear of Social Equality
Slavery's Ghosts and the Haunted Housing Crisis
Jean Toomer’s Cane and the Borderlands of Encounter and Contradiction
Literary Ethnomusicology and the Soundscape of Jean Toomer's Cane
Inexhaustible Splendor”
Conjuring Sacred Space in Gulf Coast Cities
Textuality in a Jazz Aesthetic
Hypervisible Man
| Obras citantes distintas | 557 |
|---|---|
| Citações por ano | 26,52 |
| Intervalo de citações | 2005 - 2026 (22) |
| Velocidade de citação | current |
| Altamente citado | Sim |
| Tipos de citação | Neutras: 504 |