Alice doesn't
Feminism, Semiotics, Cinema
Datos Bibliográficos
| ID | 24200330 |
|---|---|
| Autores | Teresa De Lauretis |
| Año | 1984 |
| Páginas | 220 |
| Fecha de publicación | 1984-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Alice doesn't (SOURCE_BOOK) |
| Editorial | Indiana University Press (PUBLISHER • US) |
| Open Library | OL3187058M |
| ISBN | 9780253203168 |
| Idioma | EN |
| Citas recibidas | 190 |
Aspectos psicológicos · Cinéma · Cinematografía · Feminism and motion pictures · Féminisme · Féminisme et cinéma · Film · Filmkunst · Filosofía · Frauenbewegung · Frauenfilm · History and criticism · Motion picture plays · Motion pictures · Performing Arts · Philosophy · Psychological aspects · Psychological aspects of Motion pictures · Scénarios · Semiotics · Semiotiek · Semiotik · Sémiotique · Wissenschaftstheorie · Women in motion pictures · Women in moving-pictures
Da Identidade Feminina na Ficção Portuguesa de Oitocentos
I/i<
Porn by any other name
Male gays in the female gaze
Cultural Models of Bodily Images of Women Teachers
Between home and flight
The Polonium trail to Islam
Forget Bárbara Virgínia? A forerunner filmmaker between Portugal and Brazil
Winterson, Bakhtin, and the Chronotope of a Lesbian Hero
Eros in the Sick Room
The Texts of Tech
Dialectical Mediation
Integral to the Plot, and in No Way Gratuitous”? Constructing Creative Freedom in the Liberalization of Canadian Content Regulation
Blade Runner’s humanism
Making Space for the Maid
Why are there no lesbian advertisements
Nietzsche’s Practices of Illusion
Sexuality, gender, media. Identity articulations in the contemporary media landscape
The internet subculture of Indonesian face-veiled women
Men and women on the move
Being Anally Penetrated
Spectatorship, Performance, Resistance
Gender and narrative identity
The Interpretation of Signs of Child Sexual Abuse
The Miss's Missing Myth
Filmic Representations of the 'Polish Mother' in Post-Second World War Polish Cinema
Narrative analysis as a feminist method
Beauty and the Belles
Europe in motion
Histoire de l'art contemporain et théories féministes
De l'usage épistémologique et politique des catégories de « sexe » et de « race » dans les études sur le genre
Vérités partielles, vérités partiales
Las mujeres en el cine y TV movies españoles (2000-2012)
Género, poder y comunicación
Women’s Porno
Phantom Limbs
Gifting Pain
Theatre of the Oppressed Workshops with Women
"I Can't Get Sexual Genders Straight"
The Excremental Sublime
"A Suspension Forever at the Hinge of Doubt"
A View from Elsewhere
Transforming George Moore
The Coming of the Young and Sexy Lesbian
The Glans Opens Like a Book’
Masculine excess and the metaphorics of vision
The film viewer
Remembering women
The international reception of Australian women film-makers
Gay men on film
The authority of experience or the tyranny of discourse
These are not ‘regular places’
Two women filmmakers remember the dark years
The impasses of encounter
Subjectivities and Silences, Mother and Woman
It’s just between girls
She acts out in inappropriate ways
The Function of the Fetish in The Rocky Horror Picture Show and Priscilla, Queen of the Desert
Reading and writing auto/biography
The Past is Difference - The Difference is Past
Bollywood motifs
Anchors of meaning – helpers of dialogue
Limitless provocations of the ‘safe’, ‘secure’ and ‘healthy’ child
Poststructural feminism in education
Gender and memory in the films of Tomris Giritlioğlu and Yeşim Ustaoğlu
Orientalism in the Documentary Representation of Culture
Detecting the Phallus
Visual Images of American Society
Presence of Mind, Presence of Body
Blood Relations
In the Cold Night of the Day
Feminist Filmmaking and the Future of Global Film Politics
Accessing Narrative
Visions en mouvement de la condition féminine
Pratiques artistiques féministes et queers en art vidéo
Delivering Subjects
Politics of Identity/Politics of Location
Addressing Issues of Context in Historical Women's Public Address
Food and Gender in Bagdad Cafe
Crossing wires/shifting boundaries inVena Amoris
Ecstasy
Ballerinas and ball passing
The Texture of Retracing in Marjane Satrapi's Persepolis
National History and Domestic Spaces
Research-Creation
Performing the nation
Women as communicators
Form and Context
Sexual Difference, Pleasure and the Construction of the Spectator in Music Television
Playing Doctors
Toward the Cultural Interpretation of Medicine
Gendered political subjectivity in post-soviet latvia
Feminist theory as practice
Everything I told you was true
Political Imagination and Utopian Pedagogy
Visual Grammars of Gender
Rhetorical and Historical Inquiry in the Feminist Reconstitution of Knowledge
Red is the last part of Polish director Krzystof Kieslowsi's internationally acclaimed film triptych
The Possibilities of Roads Not Taken
Tuesday's Gone
| Obras citantes distintas | 190 |
|---|---|
| Citas por año | 4,75 |
| Intervalo de citas | 1986 - 2024 (39) |
| Velocidad de citación | recent |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 60 |