Yoruba Ritual
Performers, Play, Agency.
Datos Bibliográficos
| ID | 24200901 |
|---|---|
| Autores | Margaret T Drewal |
| Año | 1992 |
| Fecha de publicación | 1992-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Yoruba Ritual: Performers, Play, Agency. (SOURCE_BOOK) |
| Editorial | Indiana University Press (PUBLISHER • US) |
| Open Library | OL23086865M |
| ISBN | 9780253206848 |
| Idioma | EN |
| Citas recibidas | 103 |
Drewal (performance studies, Northwestern U.) presents a study of the rituals of the Yoruba peoples of southwestern Nigeria, using a new theoretical and methodological approach. A 30-minute companion video is available from the publisher. Annotation c. by Book News, Inc., Portland, Or.
Women in the Yoruba Religious Sphere
The Politics of Dance and The Poetics of Space
Hibridismo e simultaneidade no romance 'The famished road', de Ben Okri
Complexifying the poetic
Drumming for the Orisa
Seeing the eyes of god in human form
De Ilha De Sapos a Ilha Da Fantasia
Helping them to help themselves
Explorations in Animist Materialism
Multiple Authenticities in Motion
A semiotic study of court poetry performance in Nigeria
Theatricality
Boundaries of Self and Other in Ghanaian Popular Culture (review)
Young Soldiers
Ambiguity, Ambivalence, and Boundaries
Ritual, Play, and Boundaries
Afterword
Ritual and Sincerity
Africa's Ogun, Second, Expanded Edition
Virginity Cloths and Vaginal Coverings in Ekiti, Nigeria
“I Dress in This Fashion”
Spirited Choreographies
Spiritual Ethnicity
Abschied und Übergang
Von »schwarzen Frauen« und anderen Geheimnissen Masken und Erfahrung in der westafrikanischen Savanne
Possession
Gospel Music in Africa
Textuality in a Jazz Aesthetic
Mulheres de Terreiro
Dressing at Death
Mediating Threads
Stumbling toward Wisdom
Bodies and Flags
Spiritual Ethnicity
Female “ Alhajis ” and Entrepreneurial Fashions
Yemoja
Medicine, mobility, and power in global Africa
Beyoncé's Super Bowl Spectacles and Choreographies of Black Power in the Movement 4 Black Lives
Ethnicity and identity in the contemporary world
Ambivalent Relation with the Divine in Wole Soyinka's The Road
Dimensions of Theatricality in Africa
The Sacrificial Foundation of Modernity in Wole Soyinka's Death and the King's Horseman
Scenes of Enchantment
The carpenter's revolt
The Criminalization of Capoeira in Nineteenth-Century Brazil
Migratory Mythopoeism
Enslaved rebels, fugitives, and litigants
Faces da Mãe D'Água
Embodying Black Religions in Africa and Its Diasporas
Embodying Black Religions in Africa and Its Diasporas
Entre o corpo ritual e o corpo digital
Rituals and economics of regeneration
Exploring the Transformative Power of Play in African Children's Games
Long day's journey to Rincón
The Passing
Se não é "tradição" é "aberração
Art by any other name
Dancing through time
Attention, ritual glitches, and attentional pull
Àjẹ́kùnrin
Esu’s crossroads and Ogun’s crossing over
Barrio, Bodega, and Botanica Aesthetics
Playing with frames of reference in veneration rituals
Disciplines of the Text/Sites of Performance
Dreaming New Orleans
Spiritual Dimensions of Healing
Tribute to the Ancestors”
Peixe, Patria e Possibilidades Portuguesas
Improvisation as a performance strategy for African‐based theatre
The self as other
Law, Religion, and "Public Health" in the Republic of Brazil
Beyond the Glitter
Mounting the Poyto
Colonial Politics and Precolonial History
Josy Ajiboye, the Ultimate Prankster
This House Is Not for Sale”
If You Like Professor, I Will Come Home With You’
II. Dance Ethnology and the Anthropology of Dance
Meaningful Deaths
O candomblé e o tempo
Thinking through and with African objects
Same-Sex Relationships in Yorùbá Culture and Orature
The Politics and Poetics of Dance
Staging transformation
Ritual and Its Consequences
The Sublime Dance of Mende Politics
Bali, the Camera, and Dance
Mardi Gras, Chic-a-la-Pie
At the Crossroads
FandangObon
African Meanings, Western Words
The State of Research on Performance in Africa
Traditions of Invention in Equatorial Africa
Seeing the unseeing audience
Ambiguous agency
Patriarchies, Prophets, and Procreation
Gendered Ritual Dualism in a Patrilineal Society
Oka Day as an institution of power
Introduction
Art and the individual in African masquerades Introduction
| Obras citantes distintas | 103 |
|---|---|
| Citas por año | 2,78 |
| Intervalo de citas | 1989 - 2025 (37) |
| Velocidad de citación | recent |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 89 |