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Music and society

The Politics of Composition, Performance, and Reception

Dados Bibliográficos

ID24202062
AutoresRichard D Leppert, Susan Mcclary
Ano1987
Páginas202
Data de publicação1987-01-01
Open AccessNão
TipoBOOK
PeriódicoMusic and society (SOURCE_BOOK)
EditoraCambridge University Press (PUBLISHER • US)
Open LibraryOL2737180M
ISBN9780521327800
IdiomaEN
Citações recebidas140

Essays · Gesellschaft · Maatschappij · Music · Music and society · Music in art · Music, philosophy and aesthetics · Musik · Musiksoziologie · Musique · Muziek · Social aspects

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    Open Access•Paulo Guilherme Correa, Priscila Gomes Correa•2011

  • Musical/Literary Boundaries in Northrop Frye

    Deanne Bogdan•Changing English•1999

  • Hommage à Bengt Hambraeus

    Open Access•Laurie Radford•Circuit Musiques contemporaines•2002

  • On Qualifying Relativism

    Open Access•Norman Cook, Nicholas Cook•Musicae Scientiae•2001

  • Is there a peak in popular music preference at a certain song-specific age ? A replication of Holbrook & Schindler’s 1989 study

    Open Access•Jan Hemming•Musicae Scientiae•2013

  • Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio

    Tim Hecker•Leonardo Music Journal•2008

  • "Cognitive study of music as culture - basic premises for "cognitive ethnomusicology

    Pirkko Moisala•Journal of New Music Research•1995

  • Gender and Technological Failures in Glitch Music

    Hannah Bosma•Contemporary Music Review•2016

  • Postmodernism, narrativity, and the art of memory

    Jann Pasler•Contemporary Music Review•1993

  • Publications and Their Influence on the Development of Ethnomusicology

    K Peter Etzkorn•Yearbook for Traditional Music•1988

  • Ethnomusicological Theory

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  • The Harmony of the Tea Table

    Jeffrey Kallberg•Representations•1992

  • Musicology as a Political Act

    Philip V Bohlman•Journal of Musicology•1993

  • TransAmericana

    Shana Goldin-Perschbacher•New Literary History•2015

  • Introduction

    Open Access•Caroline A Kita, Caroline Kita et al.•The German Quarterly•2018

  • Join Together with the Band

    Adam Behr•Rock Music Studies•2015

  • Everyday I Write the Book

    Open Access•Gilbert B Rodman•Journal of Popular Music Studies•2006

  • "Symbolic Rhetoric and the Struggle for Meaning

    Open Access•Tim Brace•Journal of Popular Music Studies•1993

  • The World According to Marsalis: Difference and Sameness in Wynton Marsalis's From the Plantation to the Penitentiary

    Open Access•John Paul Meyers•Journal of Popular Music Studies•2010

  • Working Day and Night: Black Masculinity and the King of Pop

    Open Access•Andreana Clay•Journal of Popular Music Studies•2011

  • Singing the Civilizing Mission in the Land of Bach, Beethoven, and Brahms

    Kira Thurman•Journal of world history•2016

  • Shakira as the Idealized Transnational Citizen

    Open Access•María Elena Cepeda•Transnational Stardom•2013

  • Intentions in Theory and Practice

    Open Access•Nina Penner•Music and Letters•2018

  • The signifying voice

    Open Access•Edward Mcdonald•Language, Context and Text. The…•2021

  • Music in the Australian arts curriculum

    Open Access•Linda Lorenza, Margaret Baguley et al.•The Australian Educational…•2021

  • Universal Tropes and Salvation Hopes

    Open Access•Antía Gonzalez Ben•Teachers College Record The Voice…•2021

  • Colloquy

    Christopher Chowrimootoo, Kate Guthrie et al.•Journal of the American…•2020

  • The analysis of the development of artistic music in Kosovo from the historical and educational perspective

    Open Access•Dukyong Yoon, Besa Luzha et al.•rast müzikoloji dergisi•2024

  • From selling out to savvy strategy

    Elissa H Nelson•Creative Industries Journal•2018

  • The Aesthetics of Colonialism

    Viccy Coltman•Visual Culture in Britain•2016

  • Sociology of Art

    Antoine Hennion, Line Grenier•The International Handbook of…•2000

  • Opera in the Novel from Balzac to Proust

    Open Access•Cormac Newark•Opera in the Novel from Balzac to…•2011

  • We Are All Related

    Open Access•Glenn M Hudak•Discourse Studies in the Cultural…•1995

  • Did Bach Compose Musical Works? Thinking with Adorno through Paradigms of Possibility

    Lydia Goehr•New German Critique•2021

  • Social Context and Musical Content of Rap Music, 1979-1995

    Jennifer C Lena•Social Forces•2006

  • The Consumption of Music and the Expression of Values

    Open Access•Wilfred Dolfsma•American Journal of Economics and…•1999

  • Prosumption in Art

    Open Access•Seio Nakajima•American Behavioral Scientist•2012

  • Creativity and Innovation in the K‐pop System and a Possible Link with Pansori

    Open Access•Myung‐sook Auh•The Journal of Creative Behavior•2025

  • Invoking Motives and Immediacy

    Marianne Kielian‐gilbert, Marianne Kielian-Gilbert•19th-Century Music•1997

  • The authority and authenticity of performative Englishes in popular culture

    Open Access•Andrew Moody•World Englishes•2021

  • The Pot Liquor Principle

    Open Access•Guthrie P Ramsey•Journal of Black Studies•2004

  • Locating listening

    Jody Berland•Cultural Studies•1988

  • Media and the Musical Imagination

    María Elena Cepeda•Identities•2009

  • The “Toilet Circuit”

    Dan Miller, J Schofield•Heritage & Society•2016

  • ‘“Demo” and “cracy”’

    Open Access•Amy R Green, Andrew Green•Cultural Studies•2023

  • Popular Laments

    Neferti X M Tadiar•Cultural Studies•2008

  • Austro-Pop' since the 1980s

    Open Access•C Karner•Sociological Research Online•2002

  • On good girls and woke white women

    Annelot Prins•Celebrity Studies•2022

  • Electronic dance music, the rock myth, and authenticity

    John Gunders•Perfect Beat•2013

  • Introduction

    Rachel Harris, Barley Norton•British Journal of Ethnomusicology•2002

  • Critical Questiones About Deconstrution or About De-Centring Of The Relation Between Philosophy And Music

    Open Access•Miško Šuvaković•Musicological Annual•2005

  • El chico duro de La Habana. Agresividad, desafío y cinismo en la timba cubana

    Rubén López Cano•Latin American Music Review•2007

  • Singing Ancient Piety and Modernity in "Song of Familial Bliss" (1935)

    Joys H Y Cheung•Asian Music•2010

  • Regulating and Negotiating in T'urot'u, a Korean Popular Song Style

    Min-Jung Son, Min‐Jung Son•Asian Music•2006

  • Passado Audível

    Open Access•Virgínia De Almeida Bessa, Giuliana Lima et al.•Música Popular em Revista•2020

  • The bi-musical subject

    Sharmadip Basu•South Asian History and Culture•2024

  • Claiming Queer Territory in the Study of Subcultures and Popular Music

    Open Access•Jodie Taylor•Sociology Compass•2013

  • The class and colour of tone

    Grant Olwage•British Journal of Ethnomusicology•2004

  • They Say She's Different

    Open Access•Maureen Mahon•Journal of Popular Music Studies•2011

  • Objects of Desire

    Open Access•John Dougan•Journal of Popular Music Studies•2006

  • Perseguindo fios da meada

    Open Access•Acácio Piedade•Per Musi•2011

  • L’impact et l’éthique du savoir musical

    Open Access•Kay Kaufman Shelemay•Les Cahiers de la Société…•2010

  • Record and Hold

    José Van Dijck•Critical Studies in Mass…•2006

  • West meets east

    Daniel Livesay•Atlantic Studies•2017

  • Music Technology, Gender, and Class

    Open Access•G Born, Kyle Devine•twentieth-century music•2015

  • Collective Singing in Romanian Fascism

    Roland Clark•Cultural and Social History•2013

  • Sound, silence, music

    Alexander Styhre•Culture and Organization•2012

  • Heteromasculinity and queer reappropriation in music streaming practices

    Ben De Smet, Frederik Dhaenens•Feminist Media Studies•2023

  • Practices of music and sound

    Ben Anderson, Frances Morton et al.•Social & Cultural Geography•2005

  • The mp3 as cultural artifact

    Open Access•J Sterne•New Media & Society•2006

  • The Past Is Far and the Future Is Far

    Open Access•Veit Erlmann•American Ethnologist•1992

  • Facing the music

    Open Access•Yara El-Ghadban, Yara El‐ghadban•American Ethnologist•2009

  • Songs are Like Tattoos”

    Sarah Gates•Women s Studies•2016

  • The Expansion of Punk Rock

    Julia Downes•Women s Studies•2012

  • I Always Remember That Moment

    Open Access•Ben Green•Sociology•2016

  • Tradição oral e história

    Open Access•Elizabeth Travassos•Revista de História•2007

  • Doing the Bossa Nova

    Bryan Mccann, K E Goldschmitt et al.•Luso-Brazilian Review•2011

  • Strange Notes from the LA Punk Underground

    Peter Robert Lamont Brown, Peter Robert Brown•Canadian Review of American Studies•2011

  • What, for me, constitutes life in a sound

    Open Access•Tara Rodgers•American Quarterly•2011

  • Towards a cultural sociology of popular music

    Open Access•Andy Bennett•Journal of Sociology•2008

  • William Glock and the British Broadcasting Corporation's Music Policy, 1959–73

    NEIL EDMUNDS•Contemporary British History•2006

  • A dying mutual friend’

    Open Access•Andrew Perchard, Keith Gildart•Contemporary British History•2025

  • Musical identity and social change in Italy

    Marco Santoro•Journal of Modern Italian Studies•2006

  • Transgressing the Official

    Open Access•Philippa Roylance•Research Studies in Music Education•1995

  • Positive emotions and passionate leisure involvement

    Justin Harmon, Gerard T Kyle•Annals of Leisure Research•2015

  • Making Music as Embodied Dialogue

    Open Access•Steve Phalen•Qualitative Inquiry•2015

  • Music and political identity salience in Nigeria's 2023 presidential election

    Emaeyak Peter Sylvanus, Felicia N Ezeugwu•Identities•2025

  • We'll Always Be Bosom Buddies

    Wolf, Stacy Wolf•GLQ A Journal of Lesbian and Gay…•2006

  • Women, musics, bodies, and texts

    Stacy Holman Jones•Text and Performance Quarterly•1999

  • Dykes, queers, women in overalls and Beethoven's fancy

    Philippa Roylance•Social Semiotics•1995

  • Playing Beccy Cole

    Amy Bauder•Continuum•2015

  • The queerest of the queer

    Jodie Taylor•Continuum•2008

  • On popular music

    Catherine Driscoll•Continuum•2010

  • Detour or dead-end? Contemporary cultural theory and the search for new cultural policy models

    Alan Stanbridge•International Journal of Cultural…•2002

  • Meanings of the home in popular song lyrics

    M Elizabeth Blair, Eva M Hyatt•Consumption Markets & Culture•1997

  • Women, music, politics, difference

    G Born•Women a Cultural Review•1992

  • The musical field

    M Savage•Cultural Trends•2006

  • Sound, Music and Religion

    Isabel Laack•Method & Theory in the Study of…•2015

  • Sequels of colonialism

    Leith Davis•Nineteenth Century Contexts•2001

  • A Thousand Dissonances

    Sally Macarthur•Australian Feminist Studies•2009

Obras citantes distintas140
Citações por ano3,5
Intervalo de citações1986 - 2025 (40)
Velocidade de citaçãorecent
Altamente citadoSim
Tipos de citaçãoNeutras: 125
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