On Becoming a Rock Musician
Dados Bibliográficos
| ID | 24203433 |
|---|---|
| Autores | H Stith Bennett, Howard Becker |
| Ano | 2017 |
| Páginas | 320 |
| Data de publicação | 2017-01-01 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | On Becoming a Rock Musician (SOURCE_BOOK) |
| Editora | Columbia University Press (PUBLISHER • US) |
| Open Library | OL29353296M |
| ISBN | 9780231544405 |
| Idioma | EN |
| Citações recebidas | 79 |
Manipulación sonora e influencias sobre el consumo musical juvenil
Learning to develop as a rock band
Recognizing the practitioner-self
Producing a meaningful difference
Art Words and Art Worlds
Musicians on the Move
Utilizing Critical Realism in Empirical Gender Research
How to play … popular music
Management and virtual decentralised networks
Of Garage Bands and Song-getting
Fabian Holt, Everyone Loves Live Music
“Once We Found Our Groove, . . .”
Out on the margins
Chained to the grassroots
When Women Play the Bass
Gender in the Culture of Mexican American Conjunto Music
Just Me and the Boys
Friends Don't Let Friends Listen to Corporate Rock
Embracing the Role of Amateur
O pessoal está interessado numa tour
Dissonant Identities
Play it yourself
Opportunities for ethnography in the sociology of music
Production perspectives in the sociology of music
Consolidating the music scenes perspective
Managing challenges on the front stage
Richard Peterson and cultural theory
The Development of Underground Musicians in a Honolulu Scene, 1995–1997
Inarticulate speech of the heart”
A comparison of group structures and processes in two local level rock ‘n’ roll bands
The Meanings in the Music and the Music's in Me
Ethnography and popular music studies
Masculinity and skill acquisition in the adolescent rock band
Beyond the reef
The ambivalence of becoming a small business
Notation and identity in contemporary popular music
Why 1955? Explaining the advent of rock music
Bob Dylan's phonographic imagination
Get back to where you once belonged!' The positive creative impact of a refresher course for 'baby-boomer' rock musicians
The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia
The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band
The applicability of Anglosphere-based popular music learning culture characterisations to a Malaysian context
Credits and Craft Production
Negotiating and Practicing Performance
What's the buzz
Singing Together/Meaning Apart
Teaching the Sociology of Popular Music with the Help of Feature Films
The Use of Alcohol and Cannabis in Non-Professional Rock Bands in Finland
The Free-Lance Musician as A Type of Non-Person
Categories in Motion
Occupational sociology as career and employment counseling
Mixing Memphis Soul into the Community College Curriculum Stew
Heterosexuality Is Totally Metal: Ritualized Community and Separation at a Local Music Club
Sources and Storytelling
Everyday I Write the Book
The Sociology of Entertainment
Scenes, Memory and the Spaces of Music Consumption
The Sociology of Music
The integration of computing and routine work
Pragmatics of Taste
Sociology of Art
Three arguments against ‘soft innovation’
An Intermediary Between Production and Consumption
Taste Engineering
Young people navigating musical lives
Towards a relational model of musical knowledge
On Nonhuman Sound—Sound as Relation
On the outside looking in
Rock ‘n’ roll Ain't noise pollution
The silent performance
Sustainable and Unsustainable Semi-professionalism
The Sociology of Rock
Hearing Like a Musician
Making It in a Cover Music Scene
Five Constraints on the Production of Culture
Conventions and the Production of the Popular Music Aesthetic
| Obras citantes distintas | 76 |
|---|---|
| Citações por ano | 1,8 |
| Intervalo de citações | 1982 - 2026 (45) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 27 |