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Fleeting encounters

Digital labour mobility and the loss of public sociality in Blaha Lujza Square, Budapest

Bibliographic Data

ID24224911
AuthorsJames Clifford Viloria (Eötvös Loránd University)
Year2026
Volume81
Issue3
Pages375-391
Publication date2026-07-14
Open AccessYes
TypeARTICLE
VenueGeographica Helvetica (JOURNAL)
Journal identifiersISSN: 0016-7312 • E-ISSN: 2194-8798
PublisherCopernicus GmbH (PUBLISHER • DE)
DOI10.5194/gh-81-375-2026
OpenAlexW7168267841
LanguageEN
References cited60

Blaha Lujza tér, one of Budapest's central public squares, has undergone repeated transformations, from socialist modernisation to its renewal in 2022. This paper explores urban loss not as disappearance, but as a process that reorganises material space, social rhythms, and everyday relations. Using archival photographs, contemporary fieldwork, oral histories, and analysis of online sentiment, the study traces how the square's dense and improvised sociability has thinned into more fleeting forms of public life. The redesign introduced open paving, reduced shade, and automated infrastructures, producing what urban scholars describe as aesthetic and moral ordering. These material configurations intersect with platform-based mobility, as delivery riders and transient users increasingly shape the square's social life. Sociability persists, but as fleeting encounters, regulated by circulation rather than lingering. This paper argues that loss in Blaha is processual and relational and felt through changes in how people wait, gather, and recognise one another. Rather than a nostalgic account, the study shows how publicness is being redefined through design, visibility, and algorithmic governance, revealing the everyday textures of loss in a contemporary post-socialist city.

algorithmic governance · Budapest · delivery riders · Everyday life · platform work · public sociability · public squares · publicness · urban redesign · Urban and sociocultural dynamics · Urban Development and Cultural Heritage · Urban Planning and Governance

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