Hollywood's Gaslight and the Gendered Dynamics of Gaslighting
Bibliographic Data
| ID | 24225633 |
|---|---|
| Authors | Shelley Stamp |
| Year | 2026 |
| Volume | 93 |
| Issue | 1 |
| Pages | 1-17 |
| Publication date | 2026-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social research (JOURNAL) |
| Journal identifiers | ISSN: 0037-783X • E-ISSN: 1944-768X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/sor.2026.a986464 |
| OpenAlex | W7144193386 |
| Language | EN |
The 1944 film Gaslight , from which contemporary use of the term "gaslighting" originates, provides key insights into the gendered dynamics of gaslighting. A gothic melodrama set in Victorian London, the film depicts a young bride terrorized by her new husband, increasingly unable to trust her own perception and pushed to the brink of psychosis. Watching the film, viewers experience a perceptual uncertainty similar to that endured by the gaslit heroine. Gaslight shows us how patriarchal norms enable gaslighting and how gaslighting is embedded within a broader culture of gendered violence.
Film analysis · gaslighting · gender and power · gender-based violence · Patriarchy · perceptual uncertainty · psychological manipulation · Victorian London · Gender and Feminist Studies · Gender, Feminism, and Media · Intimate Partner and Family Violence
| Highly cited | No |
|---|