Making money in museums
What’s appropriate? Negotiating commercial pressures and professional values in a context of austerity
Bibliographic Data
| ID | 24227472 |
|---|---|
| Authors | Bethany Rex (0000-0002-3810-7626), Peter Eckersley (0000-0001-9048-8529) |
| Year | 2026 |
| Volume | 118-119 |
| Pages | 102121 |
| Publication date | 2026-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2026.102121 |
| OpenAlex | W7221942095 |
| Language | EN |
| References cited | 25 |
Previous research has highlighted the importance of professional values and non-economic motivations in cultural services, and how these norms may conflict with commercial pressure to generate revenue. Most studies have focused on managerial decisions around museum or exhibition sponsorship, rather than how front-line professionals are negotiating these tensions and defining norms of appropriate behaviour. We draw on interviews with museum staff in six English local authority areas to examine the activities they are adopting to generate income, and identify how professional ethics influenced these choices. By applying the idea of ‘appropriateness’ from neoinstitutional theory, we show how staff sought to balance commercial drivers with professional values, despite the lack of a clear ‘code book’ to specify ‘appropriate’ income-generating activity in a cultural services context. We found that although commercial imperatives challenged professional norms, they did not replace them: instead, museum staff developed three strategies to preserve and sustain non-economic values in the context of commercial pressures: repurposing museum spaces for commercial events; distancing their institutions from activities that were not aligned with their values but nonetheless generated income; and prioritising free access to certain groups of visitors or to particular events. We suggest that commercial pressures are having a substantial impact on museum services and professionals, and they are likely to become an increasingly important area of academic debate and practitioner concern. Examining the decisions museum staff take when negotiating these challenges reveals important insights about how the institutional norms and professional values of public sector museum work are changing.
Cultural Heritage Management and Preservation · Management and Organizational Studies · Museums and Cultural Heritage
‘Culture for Sale’
Oil-Sponsored Exhibitions and Canada’s Extractive Politics of Cultural Production
The language of business and the business of language
Museum funding as critical practice
Inductive/Deductive Hybrid Thematic Analysis in Mixed Methods Research
Funding arts and culture
Art as a means of alleviating social exclusion
Cultural policy, politicians and the logic of appropriateness
Cultural industries and cultural policy
Roses for everyone? Arts Council England’s 2020–2030 strategy and local authority museums – a thematic analysis and literature review
Unequal entanglements
The impact of austerity measures on local government funding for culture in England
Irreconcilability of heritage missions
Navigating through the labyrinth
Openness, Priority, and Free Museums
Using thematic analysis in psychology
Managing Public Museums Appropriately and Consequentially
Querying the resilient local authority
Understanding and managing patchy data in the UK museum sector
Museums' community engagement schemes, austerity and practices of care in two local museum services
Grounded Theory and Sensitizing Concepts
The research politics of (re)naming participants
The politics of names
| Highly cited | No |
|---|