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‘Words were needed . . .’ Poetics and politics of the voiceover in contemporary autosociobiographical filmmaking

Bibliographic Data

ID24230124
AuthorsElena Meilicke (0000-0002-2211-8566, Berlin University of the Arts)
Year2026
Volume29
Issue5
Pages935-954
Publication date2026-10-01
Open AccessNo
TypeARTICLE
VenueEuropean Journal of Cultural Studies (JOURNAL)
Journal identifiersISSN: 1367-5494 • E-ISSN: 1460-3551
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/13675494251394863
OpenAlexW7126468055
LanguageEN
References cited14

The article examines autosociobiographical film practices within contemporary European experimental and essay film, and specifically focusses on their use of voiceover narration. Comparing and contrasting three recent examples of autosociobiographical filmmaking from France, Austria and Germany, the article explores both the poetics and the politics of autosociobiographical voiceover, and asks how they relate to some of the fundamental ethico-political questions and problems associated with the genre of autosociobiography.

Austria · essay film · experimental film · France · Germany · Poetics · politics of voice · Self representation · voiceover narration · Cinema and Media Studies · Cinema History and Criticism · Ethics, Aesthetics, and Art

  • Autosoziobiographie als reisende Form

    Open Access•Marcus Twellmann•Autosoziobiographie•2022

  • From Split to Screened Selves

    Rachel Gabara•From Split to Screened Selves•2006

  • Rückkehr zur Herkunft

    Open Access•Eva Blome•Deutsche Vierteljahrsschrift für…•2020

Highly citedNo

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