Aesthetics and Archaization
Transformations in the Crafting and Sensory Impact of Romanian Carnival Masks
Bibliographic Data
| ID | 24241750 |
|---|---|
| Authors | Adelina Dogaru Alexa (0009-0001-6418-9362) |
| Year | 2026 |
| Volume | 31 |
| Pages | 95-111 |
| Publication date | 2026-11-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Martor The Museum of the Romanian Peasant Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1224-6271 • E-ISSN: 2734-8350 |
| Publisher | Muzeul National al Taranului Roman (PUBLISHER) |
| DOI | 10.57225/martor.2026.31.06 |
| OpenAlex | W7223845226 |
| Language | EN |
| References cited | 17 |
The masks used in Romanian winter carnivals are becoming increasingly larger, more imposing, and more colourful. This evolution is driven by two key factors: the growing emphasis on visual aesthetic appeal and the need for masks to generate a powerful sensory impact that engages resonates with broader and more diverse audiences. These changes extend beyond the masks themselves to encompass the overall performance, incorporating larger groups of participants and soundscapes, thereby intensifying the sensory experience. As part of this transformation, elements borrowed from various sources are deliberately reworked and exaggerated to heighten the impression of archaism, reinforcing the image of a genuine folk tradition whose apparent preservation of older forms is itself partly achieved through their reinvention. These developments highlight the adaptive nature of ritual practices, where sensory and aesthetic elements play a crucial role in maintaining cultural relevance and sustaining ensuring the ritual’s efficacy. By employing these strategies, such winter masquerades express and reinforce collective identities, power relations, and shared meanings within the community. By enhancing their sensory impact, masquerades not only appeal to contemporary sensibilities but also foster a sense of continuity, grounding the community in its cultural heritage. Thus, ritual elements such as masks function not only as aesthetic artifacts but also as active agents in shaping and conveying identity, power, and collective meaning through evolving sensory strategies. By examining the case of Uncheși (lit. “uncles”) masks of Păunești village in Vrancea County, this article explores how recent transformations of the masks and their performance reflect broader socio-cultural shifts, emphasizing the central role of sensory impact in preserving the ritual’s efficacy and resonance in contemporary contexts. At the same time, it highlights the dialectical relationship between modern innovation and revival of tradition.
archaization · carnival masks · Collective identity · folk performance · power relations · ritual aesthetics · ritual efficacy · ritual innovation · sensory impact · tradition and modernity · Vrancea County · Arts and Performance Studies · Cultural and Sociopolitical Studies · European Linguistics and Anthropology
Art And Agency
Rituality and Social (Dis)Order
Face and Mask
Disgust
The Rites of Passage
Uses of Heritage
A perspective on disgust.
The cultural biography of things
Social Life of Things
Sensual Relations
Between Imagined Communities and Communities of Practice - Participation, Territory and the Making of Heritage
Unesco and Heritage Self-Determination
Destination Culture
The Rites of Passage
The Anatomy of Disgust
| Highly cited | No |
|---|