“It smells like a thousand angels marching”: The Salvific Sensorium in Rio de Janeiro’s Western Subúrbios
Dados Bibliográficos
AUTOR(ES) | |
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ANO | Não informado |
TIPO | Artigo |
PERIÓDICO | Cultural Anthropology |
ISSN | 0886-7356 |
E-ISSN | 1548-1360 |
EDITORA | John Wiley and Sons Inc |
DOI | 10.14506/ca33.2.10 |
CITAÇÕES | 9 |
ADICIONADO EM | 2025-08-18 |
MD5 |
b274aa6a65b37537484def4b4bce78ef
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Resumo
Based on almost three years of ethnographic research living in Rio de Janeiro's subúrbios, I consider how the senses comes to matter and how Pentecostalism, margins, smells, and soaps are put to work to construct new kinds of affective space. To do so, I track the way in which a fragrance composed of runoff waste from an international flavor and fragrance company has come to be understood as 'pieces of grace,' or divinely given fragments of prosperity. I argue that the forms of racial and spatial governance that enable something like repurposed waste to become pieces of grace form part of a larger story of the sensorium of the subúrbios. In contending with Rio's racialized urban landscape and how it is sensed and made sense of, I look to what I call the salvific sensorium, a kind of sensed space and territory that exists by engaging the senses with a divine alterity that reconfigures worth and temporality. It is affectively generative, if fleetingly so, and capacious enough to be open to both optimism and its cruelties.