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Resumo

In native South America, ceremonial dialogue is a widespread and prominent, yet simultaneously enigmatic, form of ritualized language use. This paper examines the ceremonial dialogic complex through the interpretive lens of a semiotic hypothesis, namely, that ritualized dialogic form is a sign vehicle, a 'model of and for' linguistic and more generally social solidarity. A comparative correlational study confirms this semiotic interpretation, showing that the ceremonial dialogue is used in situations of potential conflict—the maximally distant social relations within a given society. This paper also raises a broader theoretical issue concerning the role of metacommunicative devices in social action, suggesting that it is the 'meta‐signal' itself that enables actors to formulate an image of action—thereby regulating it—simultaneously as it occurs.

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