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Writing in the Margins

Brazilian Hip-Hop as an Educational Project

Bibliographic Data

ID2470906
AuthorsD Pardue (0000-0002-8199-294X, Union College, corresponding author)
Year2004
Volume35
Issue4
Pages411-432
Publication date2004-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAnthropology & Education Quarterly (JOURNAL)
Journal identifiersISSN: 0161-7761 • E-ISSN: 1548-1492
PublisherWiley (PUBLISHER • GB)
DOI10.1525/aeq.2004.35.4.411
OpenAlexW2171656289
LanguageEN
Citations received32
References cited9

Hip-hop culture's force as part of globalization in the fields of economics, popular aesthetics, and identity politics has been well documented. However, its articulation to educational practices has received less attention. This article draws upon fieldwork conducted in 1999 and 2002 in a youth correctional facility to analyze how state institutional practices mediate hip-hop's educational project in São Paulo, Brazil. This analysis historicizes culture and education as they pertain to popular culture and the state in urban Brazil, and evaluates hip-hop's pedagogical force in the local workshop setting

Articulation (sociology · Popular culture · Caribbean history, culture, and politics · Diverse Music Education Insights · Music History and Culture

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Unique citing works32
Citations per year1,23
Citation span2000 - 2024 (25)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 29
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