Bilingual Humor, Verbal Hygiene, and the Gendered Contradictions of Cultural Citizenship in Early Mexican American Comedy
Bibliographic Data
| ID | 2476403 |
|---|---|
| Authors | Peter C Haney (The University of Texas at Austin, corresponding author) |
| Year | 2003 |
| Volume | 13 |
| Issue | 2 |
| Pages | 163-188 |
| Publication date | 2003-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Linguistic Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 1055-1360 • E-ISSN: 1548-1395 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/jlin.2003.13.2.163 |
| OpenAlex | W2107346155 |
| Language | EN |
| Citations received | 6 |
| References cited | 40 |
This article examines the paradoxes of linguistic purism in a series of sound recordings of comic dialogues made by Mexican immigrant comedians in San Antonio, Texas, during the Depression. The dialogues present characters who mix English and Spanish as transgressors of gender roles and national identities, reserving their harshest criticism for women. However, bilingual wordplay in the dialogues suggests a dialectically opposed ideological move toward a celebration of linguistic and cultural hybridity
Art · Citizenship · Comedy · Comics · Criticism · Hybridity · Ideology · Immigration · Linguistics · Literature · Political science · Sociology · Anthropology · Discourse Analysis in Language Studies · Gender Studies · History · Multilingual Education and Policy · Philosophy · Psychology · Rhetoric and Communication Studies
Reading the literatures of Asian America
Blacking Up
Ideologies in Action
The pragmatics of code-switching
Traddutora, Traditora
Chicano Satire
Rise of the Mexican-American Middle Class
Hispanic Theatre in the United States
The World of the Mexican Worker in Texas.
A History of Hispanic Theatre in the United States
Chicano Theater
New Directions in Chicano Scholarship
Building with Our Hands
Language Ideology
Borderlands/La Frontera
Chicano Discourse
Chicano Art Inside/Outside the Master’s House
Walls and Mirrors
The Texas-Mexican Conjunto
A Texas-Mexican Cancionero
Gendered Transitions
Anglos and Mexicans in the Making of Texas, 1836-1986
Traddutora, Traditora
The World of the Mexican Worker in Texas
Chicano Theater
Chicano Satire
Cultural Citizenship as Subject-Making
Walls and Mirrors
This Grotesque Essence
Northward Bound
Evaluational reactions to spoken languages
Fantasía and Disobedient Daughters
Ethnic Music on Records
Event, Feedback, and Analysis
Simultaneity and Bivalency as Strategies in Bilingualism
The Grammar of Consciousness and the Consciousness of Grammar
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,3 |
| Citation span | 2006 - 2026 (21) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 6 |