Women at the Keyhole
Fatal Female Visions
Bibliographic Data
| ID | 2481200 |
|---|---|
| Authors | Norman K Denzin (University of Illinois Urbana-Champaign, corresponding author) |
| Year | 1995 |
| Volume | 18 |
| Issue | 2 |
| Pages | 165-190 |
| Publication date | 1995-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Symbolic Interaction (JOURNAL) |
| Journal identifiers | ISSN: 0195-6086 • E-ISSN: 1533-8665 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/si.1995.18.2.165 |
| OpenAlex | W2086789991 |
| Language | EN |
| Citations received | 2 |
| References cited | 14 |
An examination of thefemine gaze, as given in two recent mainstream Hollywood films (Black Widow, Fatal Attraction), is presented. How this gaze and its I understandings complement a feminist-based cultural studies project is discussed
Aesthetics · Art · Art history · Attraction · Black women · Gaze · Hollywood · Keyhole · Linguistics · Mainstream · Political science · Psychoanalysis · Sociology · Vision · Anthropology · Cinema and Media Studies · Comics and Graphic Narratives · Engineering · Gender Studies · Law · Philosophy · Psychology · Visual Culture and Art Theory
Patterns in comparative religion.
Woman, native, other
Visual Pleasure and Narrative Cinema
Borderlands/La Frontera
Men, Women, and Chain Saws
Postmodernism, or, The Cultural Logic of Late Capitalism
Visual Pleasure and Narrative Cinema
It's Only That I Do What I Love and Love What I Do
Femmes fatales
Postpragmatism
Chan Is Missing
The End(s) of Ethnography
| Citations per year | 0.07 |
|---|---|
| Citation span | 1998 - 2021 (24) |
| Highly cited | No |