The Club DJ
A Semiotic and Interactionist Analysis
Bibliographic Data
| ID | 2481619 |
|---|---|
| Authors | J I Bakker (University of Guelph, corresponding author), J I Hans Bakker, T R A Bakker |
| Year | 2006 |
| Volume | 29 |
| Issue | 1 |
| Pages | 71-82 |
| Publication date | 2006-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Symbolic Interaction (JOURNAL) |
| Journal identifiers | ISSN: 0195-6086 • E-ISSN: 1533-8665 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/si.2006.29.1.71 |
| OpenAlex | W2158741244 |
| Language | EN |
| Citations received | 4 |
| References cited | 21 |
Drawing on observation and reflexive introspection, this article analyzes the practice of club DJing and reggae DJing in an attempt to shed light on the semiotic dynamics of music-making. To understand the historical, semiotic, and interactionist significance of the musical beat in the social world of club reggae DJing, empirical and analytical attention is paid to changes in technology, in aesthetic conventions, and in the meanings of subcultural practices
Aesthetics · Art · Club · Epistemology · Introspection · Musical · Reflexivity · Semiotics · Social science · Sociology · Symbolic interactionism · Visual arts · Digital Games and Media · Music History and Culture · Music Technology and Sound Studies · Philosophy · Psychology
A poetic for sociology
Frame analysis
The Discovery of Grounded Theory
Handbook of Semiotics
The self as an internal dialogue
Contingency, Biography, and Structure
The Romantic Conception of Life
The Rap Attack
Musicians' Worlds
Postmodern Swing Dance and Secondary Adjustment
Symbolic Interaction as Music
The Self as Self-Fulfilling Prophecy
Hegemony and Mass Culture
The Professional Dance Musician and His Audience
The Boundaries of Professionalization
The Commodification of Time in Two Art Worlds
| Citations per year | 0.27 |
|---|---|
| Citation span | 2011 - 2016 (6) |
| Highly cited | No |