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Resumo

We report on an ethnographic study of three emerging scenes in which Latino music is produced, performed, experienced, and celebrated in Houston, Texas: rock en Espanol, gay Latino dance music, and professional soccer supporters' music. Music is an important feature of Latino culture, since it informs migration, citizenship, spirituality, and other aspects of the contemporary Latino experience. Three interactionist concepts inform this study. The concept of scene directs our attention to the comprehensive social worlds driven by Latino music. The concept of idioculture directs our attention to the ways audience members experience Latino music within everyday life small groups. The concept of place directs our attention to how Latino music creates new locations to anchor the self in reference to country of origin, present music communities, or possible symbolic locations such as America or La Raza. We conclude with suggestions for a revised interactionist concept of music scene.

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