The photo in the Ffilm
Public and Private Collections in Video-Portrait
Bibliographic Data
| ID | 2494392 |
|---|---|
| Authors | Clarice E Peixoto (0000-0003-4676-9416, Universidade do Estado do Rio de Janeiro, corresponding author) |
| Year | 2012 |
| Volume | 9 |
| Issue | 2 |
| Pages | 344-360 |
| Publication date | 2012-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Vibrant Virtual Brazilian Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 1809-4341 • E-ISSN: 1809-4341 |
| Publisher | FapUNIFESP (SciELO) (PUBLISHER) |
| DOI | 10.1590/s1809-43412012000200013 |
| OpenAlex | W2082116282 |
| SciELO | S1809-43412012000200013 |
| Language | EN |
| Citations received | 2 |
| References cited | 6 |
This article discusses the inclusion of photographs in ethnographic films, particularly in the genre video portrait. In the reconstitution of an individual's history, photographic images play an important role in the evocation of past facts that often remain only as fragments of memory. When examining personal collections and public archives, we prospect for photographic and iconographic images that allow usto construct possible relationships between collective and individual memories
Archaeology · Art · Art history · Ethnography · Evocation · Literature · Photography · Political science · Portrait · Public sphere · Visual arts · Computer Science · History · Law · Memory, Trauma, and Commemoration · Participatory Visual Research Methods · Photography and Visual Culture
| Citations per year | 0.17 |
|---|---|
| Citation span | 2014 - 2023 (10) |
| Highly cited | No |