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American Art Museums

Sanctuary or Free-For-All

Bibliographic Data

ID2555857
AuthorsVera L Zolberg (New School, corresponding author)
Year1984
Volume63
Issue2
Pages377
Publication date1984-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSocial Forces (JOURNAL)
Journal identifiersISSN: 0037-7732 • E-ISSN: 1534-7605
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.2307/2579052
OpenAlexW4234087850
LanguageEN
Citations received7

The conflict between elitism and populism in the development of American art museums is analyzed in the light of the gap between intention and accomplishment with regard to their public education mission. In the course of examining the origins and changing character of these institutions, it is suggested that although a public mission was adduced to justify their existence and gain access to public subsidy, in fact, art museums were never really designed to be “democratic” lmost in spite of this, however, they are reaching a far broader public than their founders could have imagined. In the process, the nature of the art viewing experience has changed, as have the definitions of what constitutes Art

Aesthetics · Art · Democracy · Elitism · Political science · Politics · Populism · Public art · Public relations · Sociology · Subsidy · The arts · Visual arts · Visual arts education · Art Education and Development · Cultural Industries and Urban Development · Law · Museums and Cultural Heritage

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    Samuel Coavoux•Journal of Evidence-Informed…•2016

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Unique citing works7
Citations per year0,22
Citation span1994 - 2026 (33)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7

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